wed 03/09/2025

Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Noah Davis, Barbican review - the ordinary made strangely compelling

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Best of 2024: Visual Arts

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Nocturnes review - the sounds of the rainforest transport you a remote region of the Himalayas

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Electric Dreams: Art and Technology Before the Internet, Tate Modern review - an exhaustive and exhausting show

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Snow Leopard review - clunky visual effects mar a director's swansong

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ARK: United States V by Laurie Anderson, Aviva Studios, Manchester review - a vessel for the thoughts and imaginings of a lifetime

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Vanessa Bell, MK Gallery review - diving into and out of abstraction

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The Last of the Sea Women review - a moving tale of feisty traditional divers

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Lygia Clark: The I and the You, Sonia Boyce: An Awkward Relation, Whitechapel Gallery review - breaking boundaries

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Mike Kelley: Ghost and Spirit, Tate Modern review - adolescent angst indefinitely extended

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Monet and London, Courtauld Gallery review - utterly sublime smog

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Michael Craig-Martin, Royal Academy review - from clever conceptual art to digital decor

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Van Gogh: Poets & Lovers, National Gallery review - passions translated into paint

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Peter Kennard: Archive of Dissent, Whitechapel Gallery review - photomontages sizzling with rage

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Dominique White: Deadweight, Whitechapel Gallery review - sculptures that seem freighted with history

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The Echo review - a beautiful but confusing look at life in a Mexican village

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'We are bowled over!' Thank you for your messages... ...
The Pitchfork Disney, King's Head Theatre review - blaz...

Ever wondered if there was one moment when in-yer-face theatre started? Well, yes there was; there was one play that kicked off that whole 1990s...

The Guest, BBC One review - be careful what you wish for

Why isn’t Eve Myles a superstar? Though well known for her appearances in the likes of Torchwood, Broadchurch and the brilliant...

Born with Teeth, Wyndham's Theatre review - electric sp...

The title refers to a line in Henry VI, Part III: the future Richard III boasts that midwives cried, "Oh Jesus bless us, he is born with...

Album: Saint Etienne - International

International is Saint Etienne’s 13th album. It is their last. According to the promotional material, it was written while recording...

BBC Proms: Barruk, Norwegian Chamber Orchestra, Kuusisto rev...

Every year, the Royal Albert Hall proves complicit in the magic of the quietest utterances if, as Barenboim put it, you let the audience come to...

Blu-ray: The Graduate

Can a film’s classic status expire, or be rescinded? If it can, I’d say The Graduate is a potential candidate.

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BBC Proms: Alexander’s Feast, Irish Baroque Orchestra, Whela...

Many Londoners would already have experienced the musicality incarnate of Peter Whelan and his Irish Baroque Orchestra. A smaller ensemble rocked...

Album: Brad Mehldau - Ride into the Sun

Brad Mehldau’s three trio concerts in the UK in June showed what it is he does so brilliantly. The group (with bassist Felix Moseholm and drummer...

Music Reissues Weekly: The Outer Limits - Just One More Chan...

The Outer Limits were from Leeds. Active over 1965 to 1968, the...