Sarah Kent
Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.
Articles By Sarah Kent
latest in today
Album: Sebastian Rochford, Kit Downes - A Short Diary
A Short Diary, a duo album for piano and drums,...
All the Beauty and the Bloodshed review - superb documentary...
A film telling just the story of photographer...
Jansen, LSO, Noseda, Barbican review - hearts of darkness
There’s life in the old overture-concerto-symphony format yet – especially if the...
Noises Off, Phoenix Theatre review - much revived classic fa...
There’s a chance – a slim one – that you haven’t seen Noises Off, Michael Frayn’s farce...
The Last Stage review - a former prisoner returns to the dea...
Seventy-eight years ago, on January 27,1945, Auschwitz concentration camp was liberated by the Red Army. The iconic images of the ovens with...
Charlie & Stan, Wilton’s Music Hall, review - a beguilin...
Imagine what would have happened if the young Charlie Chaplin and Stan Laurel were cabin-mates on a transatlantic liner. The Told by an...
Castalian String Quartet, Wigmore Hall review - genius in wo...
The Castalian String Quartet is half what I...
Women at War, Netflix review - contrasting stories entwine d...
A sprawling French-made drama set in the early days of the...
Album: Deathprod - Compositions
Ambient is everywhere now. After a quiet (lol) 2000s, when it rather disappeared into the cracks, perhaps tarred with the sense that the more...