tue 26/05/2020

Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Sutra, Sadler’s Wells review – a masterpiece 10 years on

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Joan Jonas, Tate Modern review - work as elusive as it is beautiful

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Tacita Dean: Portrait, National Portrait Gallery / Still Life, National Gallery review - film as a fine art

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Another Kind of Life, Barbican review - intense encounters with marginal lives

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Mark Dion: Theatre of the Natural World, Whitechapel Gallery review - handsome installations

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Come to Dust: Glenn Brown, Gagosian Gallery review - seductive and disturbing

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Human Flow review - two hours of human misery

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Imagine... Rachel Whiteread: Ghosts in the Room, BBC Two review - making memories solid

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Rose Wylie: Quack Quack, Serpentine Gallery - anarchy at 83

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The Machines of Steven Pippin, The Edge, University of Bath review - technology as poetry

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Red Star Over Russia, Tate Modern review – fascinating history in a nutshell

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Ilya and Emilia Kabakov, Tate Modern review – funny, moving and revelatory

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Basquiat: Boom for Real, Barbican review - the myth explored

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Rachel Whiteread, Tate Britain review – exceptional beauty

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Final Portrait review - utterly convincing portrayal of an artist at work

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Trajal Harrell: Hoochie Koochie, Barbican review - flamboyant and mesmerising

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Since it debuted in November last year, Apple TV+ has barely made a dent in a market largely shaped by...

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