fri 24/09/2021

Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Franz West, Tate Modern review - absurdly exhilarating

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Bon Voyage, Bob, Tanztheater Wuppertal Pina Bausch, Sadler's Wells review - interminable ennui

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Phyllida Barlow: Cul-de-sac, Royal Academy review - unadulterated delight

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Don McCullin, Tate Britain review - beastliness made beautiful

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América review - a joyous portrait of young men caring for their aged grandmother

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Bill Viola/Michelangelo: Life Death Rebirth, Royal Academy review - empty rhetoric versus focused intensity

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Edwin Landseer / Rachel Maclean, National Gallery review - a juxtaposition of opposites

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Lost Treasures of Strawberry Hill review - a brave attempt to recreate an important collection

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Modern Couples, Barbican review - an absurdly ambitious survey of artist lovers

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Elmgreen & Dragset, Whitechapel Gallery review – when is a door not a door ?

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Kusama - Infinity review - amazing tale of survival against the odds

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The Everyday and the Extraordinary, Towner Art Gallery, Eastbourne review - the ordinary made strange

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Space Shifters, Hayward Gallery review - seeing is not always believing

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Turner Prize 2018, Tate Britain review - a shortlist dominated by political issues

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Renzo Piano, Royal Academy review - worth the effort

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Under the Wire review - risking everything to tell the world the truth

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Pages

latest in today

Barry Adamson: Up Above the City, Down Beneath the Stars rev...

For those not familiar with the murkier corners of British rock music history, Barry Adamson was a significant player in creating the post-punk...

The Ballad of Billy McCrae review - beware the quarryman...

An entertaining but undernourished industrial-domestic neo-noir set in South Wales,The Ballad of Billy McCrae depicts the power struggle...

Album: Amon Tobin - How Do You Live

Amon Tobin is hard to pin down. His music has mutated over the years. He initially fit in with Ninja Tune’s late-Nineties/early-Noughties roster...

Album: Nao - And Then Life Was Beautiful

Neo Jessica Joshua, better known as Nao, has been consistently putting out good – often excellent – music...

Blithe Spirit, Harold Pinter Theatre review - an amusing, if...

We’re in an agreeable drawing room with an author, Charles Condomine, who is looking forward to having a bit of fun with a local...

Kanneh-Mason, Terfel, RPO, Philharmonia Chorus, Petrenko, RA...

75 years after Sir Thomas Beecham founded the Royal Philharmonic Orchestra, it’s sobering to reflect that without this one person’s hubris and...

Thomas Hardy: Fate, Exclusion and Tragedy, Sky Arts review –...

Born in 1840, Thomas Hardy lived a life of in-betweens. Modern yet traditional, the son of a builder who went on to become a famous...

Mixing it Up, Hayward Gallery review - a glorious celebratio...

The 31 artists in Mixing it Up all live in this country, but a third of them were born elsewhere – in countries including Belgium, China...

Album: Lindsey Buckingham - Lindsey Buckingham

Lindsey Buckingham was last in and first out of Fleetwood Mac’s...