Sarah Kent

Bio

Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Zineb Sedira: Dreams Have No Titles, Whitechapel Gallery review - a disorientating mix of fact and fiction Wednesday, 21 February 2024 Read more...	Yoko Ono: Music of the Mind, Tate Modern review - a fitting celebration of the early years Friday, 16 February 2024 Read more...
When Forms Come Alive, Hayward Gallery review - how to reduce good art to family fun Friday, 09 February 2024 Read more...	The Settlers review - a western populated only by anti-heroes Friday, 09 February 2024 Read more...
Entangled Pasts 1768-now, Royal Academy review - an institution exploring its racist past Tuesday, 06 February 2024 Read more...	Barbara Kruger, Serpentine Gallery review - clever, funny and chilling installations Monday, 05 February 2024 Read more...
The Disappearance of Shere Hite review - the rise and fall of a woman who dared to explore female sexuality Friday, 12 January 2024 Read more...	Queendom review - an LGBTQ+ performance artist takes to the streets of Moscow in protest Friday, 01 December 2023 Read more...
Women in Revolt!, Tate Britain review - a super important if overwhelming show Friday, 10 November 2023 Read more...	A World in Common: Contemporary African Photography, Tate Modern review - pulling out the stops to address issues around cultural identity Monday, 06 November 2023 Read more...
Beyond Utopia review - harrowing escape stories vividly captured with live footage Tuesday, 31 October 2023 Read more...	El Anatsui: Behind the Red Moon, Tate Modern review - glorious creations Wednesday, 25 October 2023 Read more...
RE/SISTERS: A Lens on Gender and Ecology, Barbican review - women fighting to protect the environment Thursday, 19 October 2023 Read more...	Hiroshi Sugimoto: Time Machine, Hayward Gallery review - a Japanese photographer uses droll humour to ask big questions Tuesday, 17 October 2023 Read more...
Turner Prize 2023, Towner Eastbourne review - four contestants strike a sombre mood Tuesday, 10 October 2023 Read more...	Philip Guston, Tate Modern review - a compelling look at an artist who derided the KKK Thursday, 05 October 2023 Read more...

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From its opening scene, Le Quai des Brumes (Port of Shadows,1938) feels like a reverie, a period of sustained waiting, during...

La bohème, Opera North review - still young at 32

Phyllida Lloyd’s production of La Bohème for Opera North is...

Shibe, LSO, Adès, Barbican review - gaudy and glorious new m...

Many orchestral concerts leaven two or three established classics with something new or unusual. The LSO reversed that formula...

Frankenstein review - the Prometheus of the charnel house

Guillermo del Toro strains every sinew to bring his dream film to life, steeping it in religious symbolism and the history of art, cannily...

Solar Eyes, Hare & Hounds, Birmingham review - local lad...

Their new album may have been born out of a deep dive into Quentin Tarantino’s cinematic reimagining of the post-Manson killings’ atmosphere of...

The Free Association launch review - strong start for improv...

It’s always good to welcome the opening of a new arts venue, and sadly it doesn’t happen too often in the current economic climate. But...

The Lemonheads' 'Love Chant' is a fine return...

The Lemonheads were one of the original punk-pop outfits and have been an on-off going concern for 40 years. However, singer, guitarist,...

Sarah Kent

Articles By Sarah Kent

Zineb Sedira: Dreams Have No Titles, Whitechapel Gallery review - a disorientating mix of fact and fiction

Yoko Ono: Music of the Mind, Tate Modern review - a fitting celebration of the early years

When Forms Come Alive, Hayward Gallery review - how to reduce good art to family fun

The Settlers review - a western populated only by anti-heroes

Entangled Pasts 1768-now, Royal Academy review - an institution exploring its racist past

Barbara Kruger, Serpentine Gallery review - clever, funny and chilling installations

The Disappearance of Shere Hite review - the rise and fall of a woman who dared to explore female sexuality

Queendom review - an LGBTQ+ performance artist takes to the streets of Moscow in protest

Women in Revolt!, Tate Britain review - a super important if overwhelming show

A World in Common: Contemporary African Photography, Tate Modern review - pulling out the stops to address issues around cultural identity

Beyond Utopia review - harrowing escape stories vividly captured with live footage

El Anatsui: Behind the Red Moon, Tate Modern review - glorious creations

RE/SISTERS: A Lens on Gender and Ecology, Barbican review - women fighting to protect the environment

Hiroshi Sugimoto: Time Machine, Hayward Gallery review - a Japanese photographer uses droll humour to ask big questions

Turner Prize 2023, Towner Eastbourne review - four contestants strike a sombre mood

Philip Guston, Tate Modern review - a compelling look at an artist who derided the KKK

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