fri 24/09/2021

Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Pre-Raphaelite Sisters, National Portrait Gallery review – a fascinating glimpse behind the scenes

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Great Women Artists review - the book we have been waiting for

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Anna Maria Maiolino: Making Love Revolutionary, Whitechapel Gallery review – a gentle rebellion

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Into the Night: Cabarets and Clubs in Modern Art, Barbican review - great theme, disappointing show

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Kara Walker: Fons Americanus, Tate Modern review – a darkly humorous gift

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Beuys' Acorns, Bloomberg Arcade London review – not much to look at, but important all the same

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Olafur Eliasson: In Real Life, Tate Modern review – beautiful ideas badly installed

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Félix Vallotton: Painter of Disquiet, Royal Academy review – strange and intriguing

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Kiss My Genders, Hayward Gallery review – a shambles

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Eating Animals review - a compelling tale of imminent disaster

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Natalia Goncharova, Tate Modern review - a prodigious talent

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Lee Krasner: Living Colour, Barbican review - jaw-droppingly good

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Mike Nelson, The Asset Strippers, Tate Britain review – exhilarating reminder of industrial might

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The Thread, Russell Maliphant & Vangelis, Sadler’s Wells review – an inspiring marriage of old and new

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Dorothea Tanning, Tate Modern review – an absolute revelation

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Ray & Liz review - beautifully shot portrait of poverty

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Pages

latest in today

Barry Adamson: Up Above the City, Down Beneath the Stars rev...

For those not familiar with the murkier corners of British rock music history, Barry Adamson was a significant player in creating the post-punk...

The Ballad of Billy McCrae review - beware the quarryman...

An entertaining but undernourished industrial-domestic neo-noir set in South Wales,The Ballad of Billy McCrae depicts the power struggle...

Album: Amon Tobin - How Do You Live

Amon Tobin is hard to pin down. His music has mutated over the years. He initially fit in with Ninja Tune’s late-Nineties/early-Noughties roster...

Album: Nao - And Then Life Was Beautiful

Neo Jessica Joshua, better known as Nao, has been consistently putting out good – often excellent – music...

Blithe Spirit, Harold Pinter Theatre review - an amusing, if...

We’re in an agreeable drawing room with an author, Charles Condomine, who is looking forward to having a bit of fun with a local...

Kanneh-Mason, Terfel, RPO, Philharmonia Chorus, Petrenko, RA...

75 years after Sir Thomas Beecham founded the Royal Philharmonic Orchestra, it’s sobering to reflect that without this one person’s hubris and...

Thomas Hardy: Fate, Exclusion and Tragedy, Sky Arts review –...

Born in 1840, Thomas Hardy lived a life of in-betweens. Modern yet traditional, the son of a builder who went on to become a famous...

Mixing it Up, Hayward Gallery review - a glorious celebratio...

The 31 artists in Mixing it Up all live in this country, but a third of them were born elsewhere – in countries including Belgium, China...

Album: Lindsey Buckingham - Lindsey Buckingham

Lindsey Buckingham was last in and first out of Fleetwood Mac’s...