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Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Heart of an Oak review - an adventure film starring a tree and its inhabitants

Friday, 05 July 2024 Read more...

In the Eye of the Storm: Modernism in Ukraine 1900-1930s, Royal Academy review - famous avant-garde Russian artists who weren't Russian after all

Wednesday, 03 July 2024 Read more...

Francis Alÿs: Ricochets, Barbican review - fun for the kids, yet I was moved to tears

Friday, 28 June 2024 Read more...

Gavin Jantjes: To Be Free, Whitechapel Gallery review - a sweet and sour response to horrific circumstances

Wednesday, 19 June 2024 Read more...

Wilding review - a life enhancing experience

Thursday, 13 June 2024 Read more...

Judy Chicago: Revelations, Serpentine Gallery review - art designed to change the world

Friday, 31 May 2024 Read more...

Now You See Us: Women Artists in Britain 1520-1920, Tate Britain review - a triumph

Tuesday, 28 May 2024 Read more...

Expressionists: Kandinsky, Münter and the Blue Rider, Tate Modern review - a missed opportunity

Tuesday, 30 April 2024 Read more...

Stephen review - a breathtakingly good first feature by a multi-media artist

Wednesday, 24 April 2024 Read more...

Fantastic Machine review - photography's story from one camera to 45 billion

Saturday, 20 April 2024 Read more...

Yinka Shonibare: Suspended States, Serpentine Gallery review - pure delight

Wednesday, 17 April 2024 Read more...

The Last Year of Darkness review - a loving portrait of a Chengdu gay bar

Tuesday, 12 March 2024 Read more...

Driving Mum review - a dark comedy that has you laughing out loud

Tuesday, 27 February 2024 Read more...

Sargent and Fashion, Tate Britain review - portraiture as a performance

Saturday, 24 February 2024 Read more...

Zineb Sedira: Dreams Have No Titles, Whitechapel Gallery review - a disorientating mix of fact and fiction

Wednesday, 21 February 2024 Read more...

Yoko Ono: Music of the Mind, Tate Modern review - a fitting celebration of the early years

Friday, 16 February 2024 Read more...

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