Sarah Kent
Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.
Articles By Sarah Kent
latest in today
The law's sick voyeurism - director Cédric Kahn on...
The trial of the left-wing intellectual Pierre Goldman, who was charged in April 1970 with four armed robberies, one of which led to the death of...
Zoë Coombs Marr, Soho Theatre review - stock checks and spre...
You have to admire the ambition of a show called Every Single Thing in My Whole Entire Life, the latest from Zoe Coombs Marr, which she...
The Lightest Element, Hampstead Theatre review - engrossing,...
British theatre has a proud heritage of science plays. From 1990s classics such as Tom Stoppard’s Arcadia (1993) and Michael Frayn’s ...
Resurgence, London City Ballet, Sadler’s Wells review - the...
You need to be fairly long in the tooth to feel nostalgia for the heyday of London City Ballet. The group was set up in 1978 by the late Harold...
Album: Jamie xx - In Waves
There’s been a lot of early 90s rave aesthetics in popular culture lately, but an awful lot of it has been at the level of signifiers. Fila,...
Here comes the flood: Bob Dylan's 1974 Live Recordings
Lighters at the ready, because here comes the flood. Drawn from 16-track tape, 1/4in reels and lo-fi sound board cassettes that are now a half...
Album: The Waeve - City Lights
Real-life couple Graham Coxon and Rose-Elinor Dougall are both musicians of some profile in their own rights. The former, especially, for his work...
Donohoe, Roscoe, Stoller Hall, Manchester review - two great...
A little piece of musical history was made last night at Manchester Chamber Concerts Society’s season-opening concert. Two of the greatest...
Wang, Lapwood, LSO, Pappano, Barbican review - grace and pow...
It takes stiff competition to outshine Yuja Wang, who last night at the Barbican complemented her spangled silver sheath with a disconcerting pair...
My Favourite Cake review - woman, love, and freedom
The taxi cab has become a recurring motif in modern Iranian cinema, perhaps because it approximates to a kind of dissident bubble within the...