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Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Louise Bourgeois: The Woven Child, Hayward Gallery review - the wife, the mistress, the daughter and the art that came out of it

Saturday, 12 February 2022 Read more...

America in Crisis, Saatchi Gallery review - a country in jeopardy

Friday, 28 January 2022 Read more...

Francis Bacon: Man and Beast, Royal Academy review – a life lived in extremis

Thursday, 27 January 2022 Read more...

Kehinde Wiley, National Gallery review - more than meets the eye

Friday, 10 December 2021 Read more...

Lubaina Himid, Tate Modern review – more explication please

Monday, 29 November 2021 Read more...

Waste Age, Design Museum review - too little too lame

Friday, 29 October 2021 Read more...

Yoko Ono, Mend Piece, Whitechapel Gallery review – funny and sad in equal measure

Thursday, 07 October 2021 Read more...

Theaster Gates - A Clay Sermon, Whitechapel Gallery review - mud, mud, glorious mud

Tuesday, 05 October 2021 Read more...

Isamu Noguchi, Barbican review – the most elegant exhibition in town

Friday, 01 October 2021 Read more...

Gerhard Richter: Drawings, Hayward Gallery review - exquisite ruminations

Wednesday, 29 September 2021 Read more...

Mixing it Up, Hayward Gallery review - a glorious celebration of diversity

Wednesday, 22 September 2021 Read more...

The Story of Looking review – bedside musings on how and what we see

Saturday, 18 September 2021 Read more...

The Lost Leonardo review - an incredible tale as gripping as any thriller

Tuesday, 14 September 2021 Read more...

Sophie Taeuber-Arp, Tate Modern review - a creative talent that knew no bounds

Monday, 09 August 2021 Read more...

El Father Plays Himself review – a roller coaster ride of mixed emotions

Saturday, 07 August 2021 Read more...

The Most Beautiful Boy in the World review - a harrowing tale vividly told

Wednesday, 28 July 2021 Read more...

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Manticore was owned by Emerson, Lake and Palmer and their manager. The organisation provided the name for the band’s label. Apart from ELP and its...

Classical CDs: Bells, birdsong and braggadocio

 

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Kiefer / Van Gogh, Royal Academy review - a pairing of oppos...

When he was a callow youth of 18, German artist Anselm Keifer got a travel grant to follow in the footsteps of his idol, Vincent van Gogh. Some...

Siglo de Oro, Wigmore Hall review - electronic Lamentations...

Siglo de Oro are a vocal ensemble who specialise in older music – and especially neglected older music – but they have also...

Album: Barry Can't Swim - Loner

Despite being Mercury nominated, Bazza’s hardly a household name. Nevertheless, his debut album ...

Jenny Saville: The Anatomy of Painting, National Portrait Ga...

When in the 1990s, Jenny Saville’s peers shunned painting in...

Hot Milk review - a mother of a problem

Rebecca Lenkiewicz’s Hot Milk, adapted from Deborah Levy’s 2016 Man Booker shortlistee, has been described as a "psychological drama"....