Sarah Kent
Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.
Articles By Sarah Kent
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Biss, National Symphony Orchestra, Kuokman, NCH Dublin revie...
On paper, it was a standard programme with no stars to explain how this came to be a sellout concert. But packed it was, an audience of all ages...
Alfred Hitchcock Presents: The Musical, Theatre Royal Bath r...
In Italy, they did it differently. Their pulp fiction tales of suburban transgression appeared between yellow covers on new stands...
Album: Will Smith - Based on a True Story
Will Smith’s new album, Based on a True Story, is a prime example of why some comebacks should remain hypothetical. After two decades...
Verdi Requiem, Philharmonia, Muti, RFH review - new sparks f...
Forget, for a moment, the legend and the lustre. If you knew nothing about Riccardo Muti’s half-century of history with Verdi’s Messa da...
Wilko: Love and Death and Rock'n'Roll, Southwark P...
Resurrecting the origins of old rock stars is becoming quite the thing, After cinema’s Elton John, Freddie Mercury, Bob Dylan and...
The End review - surreality in the salt mine
The End, a quasi-musical from Joshua Oppenheimer, who has previously only produced ...
Playhouse Creatures, Orange Tree Theatre review - jokes, shi...
Creatives – or creatures? In the 1660s, women – having been banned from working as actors in previously more...
Album: Perfume Genius - Glory
I can’t stop reading and re-reading the review copy I got of a new book, out next week. Liam Inscoe-Jones’s ...
La finta giardiniera, The Mozartists, Cadogan Hall review -...
Just now, the notion of a long-term project that concludes in 2041 sounds like an optimistic bet on the far future worthy of some 18th-century...