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Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Sarah Lucas: Happy Gas, Tate Britain review - overcrowding muffles the voice of the wildest of the YBAs

Monday, 02 October 2023 Read more...

The Nettle Dress review - a moving story exquisitely told

Monday, 25 September 2023 Read more...

Marina Abramović, Royal Academy review - young performers stand in for the absent artist

Saturday, 23 September 2023 Read more...

A Life on the Farm review - a fabulous eccentric gets neatly packaged

Friday, 08 September 2023 Read more...

Baato review - Nepalese mountain folk await big changes with excitement and anxiety

Sunday, 30 July 2023 Read more...

Jean Cooke: Ungardening, Garden Museum review - a cramped show of airy and spacious paintings

Tuesday, 11 July 2023 Read more...

Manchester International Festival exhibitions review - a new arts centre puts Manchester firmly on the cultural map

Thursday, 06 July 2023 Read more...

Hello, Bookstore review - a documentary with shelf life

Wednesday, 28 June 2023 Read more...

Carrie Mae Weems: Reflections for Now, Barbican review - going from strength to strength on an epic journey

Monday, 26 June 2023 Read more...

Dear Earth: Art and Hope in a Time of Crisis, Hayward Gallery review - hope is what we need, but inspiration is a rarity

Thursday, 22 June 2023 Read more...

Life is More Important than Art, Whitechapel Gallery review - themes of arrival, belonging and departure unite fascinating mixed show

Wednesday, 21 June 2023 Read more...

Capturing the Moment, Tate Modern review - the glorious power of painting

Thursday, 15 June 2023 Read more...

Sarah Sze: Metronome, Artangel at Peckham Rye station review - an installation of visual complexity and physical simplicity

Thursday, 18 May 2023 Read more...

The Dam review - a remarkably haunting allegory

Sunday, 07 May 2023 Read more...

Isaac Julien: What Freedom is to Me, Tate Britain review - a journey from making documentaries to making art

Thursday, 04 May 2023 Read more...

Berg review - a glorious visual meditation on the mountains of Slovenia

Friday, 28 April 2023 Read more...

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To hear Kadiatu Kanneh-Mason speaking live is to hear a woman...

Bryony Kimmings, Soho Theatre Walthamstow review - captivati...

Bryony Kimmings’ new show – her first in five years – was created to celebrate the opening of Soho Walthamstow, the previously...

Blu-ray: Le Quai des Brumes

From its opening scene, Le Quai des Brumes (Port of Shadows,1938) feels like a reverie, a period of sustained waiting, during...

La bohème, Opera North review - still young at 32

Phyllida Lloyd’s production of La Bohème for Opera North is...

Shibe, LSO, Adès, Barbican review - gaudy and glorious new m...

Many orchestral concerts leaven two or three established classics with something new or unusual. The LSO reversed that formula...

Frankenstein review - the Prometheus of the charnel house

Guillermo del Toro strains every sinew to bring his dream film to life, steeping it in religious symbolism and the history of art, cannily...

Solar Eyes, Hare & Hounds, Birmingham review - local lad...

Their new album may have been born out of a deep dive into Quentin Tarantino’s cinematic reimagining of the post-Manson killings’ atmosphere of...

The Free Association launch review - strong start for improv...

It’s always good to welcome the opening of a new arts venue, and sadly it doesn’t happen too often in the current economic climate. But...

The Lemonheads' 'Love Chant' is a fine return...

The Lemonheads were one of the original punk-pop outfits and have been an on-off going concern for 40 years. However, singer, guitarist,...