thu 10/10/2024

Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Town of Strangers review - a whimsical foray into the meaning of home

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Best of 2022: Visual Arts

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Magdalena Abakanowicz, Tate Modern review - a forest of huge and imposing presences

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Making Modernism, Royal Academy review - a welcome if confusing intro to seven lesser known artists

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William Kentridge, Royal Academy review - from art to theatre, and back again

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Lucian Freud: New Perspectives, National Gallery review - a powerful punch in the gut

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Remote review - an irredeemably silly first feature

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Hallyu! The Korean Wave, V&A review - frenetic but fun

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Marina Abramović: Gates and Portals, Modern Art Oxford and Pitt Rivers Museum review - transcendence lite

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Winslow Homer: Force of Nature, National Gallery review - dump the symbolism and enjoy the drama

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Carolee Schneeman: Body Politics, Barbican review - challenging, in-your-face and messy

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The Fire of Love review - awe-inspiring footage of volcanoes marred by sentimental narration

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Milton Avery: American Colourist, Royal Academy review - from backward-looking impressionist to forward looking-colourist

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We (Nous) review - a low-key look at life in the suburbs of Paris

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Vivian Maier: Anthology, MK Gallery review - what an amazing eye!

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Whitstable Biennale review - a breath of fresh air

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Lygia Clark: The I and the You, Sonia Boyce: An Awkward Rela...

Brazilian artist Lygia Clark is best known for taking her...

Gigi and Dar, Arcola Theatre review - a war-game of two halv...

The writer-director Josh Azouz and actor-director Kathryn Hunter have collaborated on a piece exploring the ethics of being an army of...

Portraits of Dangerous Women review - quirky indie comedy

“I like laws and rules,” Steph (Jeany Spark), a jaded primary school teacher, tells a pet-shop employee – she’s adopting a cat, though...

Album: The Offspring - Supercharged

With Warped Tour anniversary rumours in the air, Green Day and blink-182 touring the world, and 20 huge new tracks from Sum 41, The Offspring’s...

Bellringers, Hampstead Theatre review - mordant comedy about...

As hurricanes rip into the American Gulf states with increasing ferocity, Eastern Europe disappears underwater and even the gentle...

Mike Kelley: Ghost and Spirit, Tate Modern review - adolesce...

Like an angry teenager rejecting everything his parents stand for,...

French Toast, Riverside Studios review - Racine-inspired sat...

It’s always fun jabbing at the permanently open wound that is Anglo-French relations, now with added snap post-Brexit, its fading, but...

Album: Ded Hyatt - Glossy

This record keeps you guessing. It starts off with “Hybrid Romance”, an ambient piece that’s very pretty but has swooping glassy synths that crack...

Ludwig, BBC One review - entertaining spin on the brainy det...

The latest incarnation of David Mitchell, TV actor, looks at first sight much like the familar one from Peep Show and Back...