wed 14/05/2025

Sarah Kent

Sarah Kent's picture
Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Walter Sickert, Tate Britain review - all the world's a stage

Read more...

Ali Cherri: If you prick us, do we not bleed?, National Gallery review - cabinets of curiosity

Read more...

River review – gorgeous visuals and a timely message: so what’s not to like?

Read more...

The Metamorphosis of Birds review - picture perfect

Read more...

Surrealism Beyond Borders, Tate Modern review - a disappointing mish mash

Read more...

Postwar Modern: New Art in Britain 1945-65, Barbican review - revelations galore

Read more...

A Century of the Artist's Studio, Whitechapel Gallery review - a voyeur's delight

Read more...

Louise Bourgeois: The Woven Child, Hayward Gallery review - the wife, the mistress, the daughter and the art that came out of it

Read more...

America in Crisis, Saatchi Gallery review - a country in jeopardy

Read more...

Francis Bacon: Man and Beast, Royal Academy review – a life lived in extremis

Read more...

Kehinde Wiley, National Gallery review - more than meets the eye

Read more...

Lubaina Himid, Tate Modern review – more explication please

Read more...

Waste Age, Design Museum review - too little too lame

Read more...

Yoko Ono, Mend Piece, Whitechapel Gallery review – funny and sad in equal measure

Read more...

Theaster Gates - A Clay Sermon, Whitechapel Gallery review - mud, mud, glorious mud

Read more...

Isamu Noguchi, Barbican review – the most elegant exhibition in town

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

House of Games, Hampstead Theatre review - adapted Mamet scr...

There is so much that is right about Jonathan Kent’s new production of House of Games – the casting, the staging, the...

Album: MØ - Plæygirl

Danish singer MØ is a paradox. Initially she appeared to be another Scandi electro-pop princess of the bangers. The monster 2015 hit “Lean On”...

Stile Antico, Wigmore Hall review - a glorious birthday cele...

There was a wonderful festal spirit at the Wigmore Hall last night, as the vocal ensemble Stile Antico ran through a Greatest Hits selection in...

PUP, SWG3, Glasgow review - controlled chaos from Canadian p...

According to PUP lead singer Stefan Babcock, the Toronto foursome practiced together a grand total of twice before embarking on their current UK...

Zoe Lyons, Touring - midlife, without the crisis

Zoe Lyons knows her audience; as a few shoutouts confirmed, many of them are long-time fans, and have had lives with similar highs and...

The Last Musician of Auschwitz review - a haunting testament...

“It is so disgraceful, what happened there,” says Anita Lasker-Wallfisch, in a comment that is the understatement of the century. She is referring...

Giulio Cesare, The English Concert, Bicket, Barbican review...

Is Giulio Cesare in Egitto, to give the full title, Handel’s best and shapeliest opera? Glyndebourne’s revival of the legendary David...

Hallé, Elder, Bridgewater Hall, Manchester review - premiere...

Huw Watkins’ Concerto for Orchestra, the fourth new work of his to be commissioned and premiered by the Hallé and Sir Mark Elder, is...

DVD/Blu-ray: Slade in Flame

Over the years Slade in Flame has been hailed as one of the greatest rock movies (albeit rarely seen or screened), up...