Sarah Kent
Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.
Articles By Sarah Kent
latest in today
Edinburgh Fringe 2022 reviews: Randy Feltface / Sarah Keywor...
Randy Feltface, Assembly George Square ★★...
Blu-ray: The Saphead
Buster Keaton came to attention in a series of two-reel shorts made between 1917 and 1920 and The Saphead, also from 1920, was his first...
La Voix humaine/Les Mamelles de Tirésias, Glyndebourne revie...
“Variety is the spice of life! Vive la difference!,” chirrups the ensemble at the end of this giddying double bill. And there could hardly be more...
Marriage, BBC One review - a brilliantly executed drama seri...
The gifted writer-director Stefan...
Germany / The 1920s / New Objectivity / August Sander, Centr...
The businessman in Heinrich Maria Davringhausen’s Der Schieber (The Profiteer), 1920-1921 sits several floors above the city streets,...
Edinburgh Fringe 2022 reviews: Ania Magliano / Leo Reich / C...
Ania Magliano, Pleasance Courtyard ★★...
Chineke! Chamber Ensemble / Martineau & Osborne / SCO, M...
What happens when great musicians play weak music? I couldn’t help but think about that while I listened to the musicians of Chineke! Chamber...
Album: Loudon Wainwright III - Lifetime Achievement
Celebrating, if that is the right word, his 75th year, Loudon Wainwright III offers us his 26th studio album in 52...
Music Reissues Weekly: The Telstar Story, The Heinz Sessions...
“Telstar” was released 60 years ago this week. On 17 August 1962...
Counting and Cracking, Edinburgh International Festival 2022...
First, a bit of housekeeping. Maybe it was the three-and-a-half-hour duration, or maybe the unfamiliar Sri Lankan subject matter, or maybe even...