wed 29/11/2023

Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Radical Figures: Painting in the New Millennium, Whitechapel review - ten distinctive voices

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Darren Waterston: Filthy Lucre, V&A review - a timely look at the value of art

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Imran Perretta, Chisenhale Gallery review - a deeply affecting film

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Eco-Visionaries, Royal Academy review - wakey, wakey!

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Lucian Freud: The Self-Portraits, Royal Academy review - mesmerising intensity

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Pre-Raphaelite Sisters, National Portrait Gallery review – a fascinating glimpse behind the scenes

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Great Women Artists review - the book we have been waiting for

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Anna Maria Maiolino: Making Love Revolutionary, Whitechapel Gallery review – a gentle rebellion

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Into the Night: Cabarets and Clubs in Modern Art, Barbican review - great theme, disappointing show

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Kara Walker: Fons Americanus, Tate Modern review – a darkly humorous gift

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Beuys' Acorns, Bloomberg Arcade London review – not much to look at, but important all the same

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Olafur Eliasson: In Real Life, Tate Modern review – beautiful ideas badly installed

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Félix Vallotton: Painter of Disquiet, Royal Academy review – strange and intriguing

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Kiss My Genders, Hayward Gallery review – a shambles

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Eating Animals review - a compelling tale of imminent disaster

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Natalia Goncharova, Tate Modern review - a prodigious talent

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latest in today

Odyssey: A Heroic Pantomime, Charles Court Opera, Jermyn Str...

This is the show that launched a thousand puns, mostly ancient-Greek-oriented, and just as many corny rhymes, all delivered with high energy and...

Grosvenor, Park, Ridout, Soltani, Wigmore Hall review - cham...

Frank Bridge’s Phantasie Piano Quartet was astutely described by his student Benjamin Britten as “Brahms tempered with Fauré”, so it made...

Album: Peter Gabriel - I/O

Some 28 years in gestation, Peter Gabriel’s eighth studio album of wholly original songs – his first since 2002’s Up...

A Christmas Carol, The Old Vic review - older, wiser, and ye...

Familiarity has bred something quite fantastic with the Old Vic Christmas Carol, which is back for a seventh season and merits ringing...

Boat Story, BBC One review - once upon a time in Yorkshire

It was as long ago as January last year that the prolific Williams brothers,...

Dariescu, BBC Philharmonic, Storgårds, Bridgewater Hall, Man...

John Storgårds found himself literally facing both ways for the third item on the BBC Philharmonic’s programme on Saturday: towards the audience,...

Mark Rothko, Fondation Louis Vuitton, Paris review - a show...

The vast and various spaces of Frank Gehry’s monumental Fondation Louis Vuitton in Paris suit the needs of the thrilling Mark Rothko exhibition...

Blu-ray: King and Country

British anti-war films inspired by “the war that” failed “to end all wars” include Oh! What a Lovely War, The Return of the Soldier...

The Dante Project, Royal Ballet review - brave but flawed ta...

Singular in its variousness, this is a three-act ballet that need some unpicking. No wonder those hooked on first acquaintance in 2021, like t...