sat 14/09/2024

Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

The Story of Looking review – bedside musings on how and what we see

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The Lost Leonardo review - an incredible tale as gripping as any thriller

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Sophie Taeuber-Arp, Tate Modern review - a creative talent that knew no bounds

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El Father Plays Himself review – a roller coaster ride of mixed emotions

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The Most Beautiful Boy in the World review - a harrowing tale vividly told

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Afterness, Orford Ness review - a breath of fresh air, literally

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Bank Job review - an inspirational look at finance

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Matthew Barney: Redoubt, Hayward Gallery review - the wild west revisited

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David Hockney / Michael Armitage, Royal Academy review - painting with an iPad vs brushes and paint

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Eileen Agar, Whitechapel Gallery review - a free spirit to the end

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The Human Voice review - an intense half-hour that pulls no punches

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Stray review - a delightful portrait of a dog named Zeytin

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Sing Me a Song review - beautiful but devastatingly sad

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Lynette Yiadom-Boakye, Tate Britain review - enigmatic figures full of life

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Tracey Emin / Edvard Munch, Royal Academy review - juxtapositions that confuse rather than clarify

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Zanele Muholi, Tate Modern review - photography as protest

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Pages

latest in today

Van Gogh: Poets & Lovers, National Gallery review - pass...

Van Gogh: Poets & Lovers includes many of his best known pictures and, amazingly, it is the first exhibition the...

Kim's Convenience, Riverside Studios review - KC and th...

One wonders what sitcom writers will do when supermarkets finally sweep the last corner shops away with nobody left old enough to buy...

The Real Ones, Bush Theatre review - engrossing, enjoyable a...

Platonic love should be simple – basically you’re best mates. And without the complications of sex, what could go wrong? Waleed...

Prom 71, Seong-Jin Cho review - refined Romantic journeys

Out of emergencies may come revelations. Sir András Schiff has broken his leg, and we wish him a super-speedy recovery. At the Proms, his promised...

Frang, LSO, Pappano, Barbican review - a concerto performanc...

Hauntings, memories, echoes: Antonio Pappano has started his official tenure as chief conductor of the London Symphony Orchestra by looking back...

The Perfect Couple, Netflix review - an inconvenient death r...

Based on the novel by Elin Hilderbrand, The Perfect...

Lee review - shaky biopic of an iconic photographer

Anyone who has seen Lee Miller’s photographs – those taken of her in the 1920s when she was a dazzling American beauty, those she took as a...

Our Country's Good, Lyric Hammersmith review - lively b...

The latest Greatest Hit to land at the Lyric is Timberlake Wertenbaker’s 1988 award-winning play about a performance of Farquhar’s ...

Why Am I So Single?, Garrick Theatre review - superb songs i...

Going to the theatre can be a little like going to church. One communes on the individual level, one’s faith in the stories...