mon 17/02/2025

Terry Friel

Articles By Terry Friel

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Mary, Queen of Scots, English National Opera review - heroic...

Genius doesn't always tally with equal opportunities, to paraphrase Doris Lessing. Opera houses have a duty to put on new works by women composers...

Unicorn, Garrick Theatre review - wordy and emotionless desi...

Since when has new writing become so passionless? Mike Bartlett is one of the country’s premiere playwrights and his new play, Unicorn,...

Album: Tim Hecker - Shards

The question of personality in abstract and ambient music has always been a fascinating one. Without conventional signifiers of expressiveness,...

Vollmond, Tanztheater Wuppertal Pina Bausch + Terrain Boris...

Imagine: you take your seat at the best restaurant in town, the waiter arrives with a flourish to fill your water glass, you hold it out and he...

Patrick Duff, The Mount Without, Bristol review - sacred mus...

There is an atmosphere of otherworldly stillness within the stony womb of a large dilapidated church in...

Josienne Clarke, Across The Evening Sky, Kings Place review...

On the first date of a 17-concert tour that had its preview at Celtic Connections in January, Across the Evening Sky begins with the...

Music Reissues Weekly: Sharks - Car Crash Supergroup

Sharks were formed in 1972 by bassist Andy Fraser after he left Free. There were two albums, line-up changes and ripples which resonated after the...

Fat Dog, Chalk, Brighton review - a frenetic techno-rock jug...

Ro first saw Fat Dog, before anyone had heard of them, at the Windmill in Brixton in front of a crowd of about 25 people. Their manic energy blew...

Sidorova, Philharmonia, Alsop, Royal Festival Hall review -...

George Gershwin called one of his early classic songs, first created by Fred and Adele Astaire, “Fascinating Rhythm”. It was that mesmeric pull...