Photographic Gallery: Gavin Bond, Idea Generation Gallery | reviews, news & interviews
Photographic Gallery: Gavin Bond, Idea Generation Gallery
Photographic Gallery: Gavin Bond, Idea Generation Gallery
Stylised musical portraits go on show
Tuesday, 16 February 2010
Love. Angel. Music. Baby. Gwen Stefani.© Gavin Bond
Over the past couple of years, maverick photographer Gavin Bond has built up a contacts book that would be the envy of Rankin or Annie Leibovitz. He’s been shooting everyone who is anyone: subjects range from godfathers of rock such as Bono and AC/DC, through familiar acts like The Killers and Gwen Stefani, to fresh faces and emerging starts like Katy Perry and Vampire Weekend.
Over the past couple of years, maverick photographer Gavin Bond has built up a contacts book that would be the envy of Rankin or Annie Leibovitz. He’s been shooting everyone who is anyone: subjects range from godfathers of rock such as Bono and AC/DC, through familiar acts like The Killers and Gwen Stefani, to fresh faces and emerging starts like Katy Perry and Vampire Weekend.
more Visual arts
Eye to Eye: Homage to Ernst Scheidegger, MASI Lugano review - era-defining artist portraits
One of Switzerland's greatest photographers celebrated with a major retrospective
Stephen review - a breathtakingly good first feature by a multi-media artist
Melanie Manchot's debut is strikingly intelligent and compelling
Fantastic Machine review - photography's story from one camera to 45 billion
Love it or hate it, the photographic image has ensnared us all
Yinka Shonibare: Suspended States, Serpentine Gallery review - pure delight
Weighty subject matter treated with the lightest of touch
Jane Harris: Ellipse, Frac Nouvelle-Aquitaine MÉCA, Bordeaux review - ovals to the fore
Persistence and conviction in the works of the late English painter
Sargent and Fashion, Tate Britain review - portraiture as a performance
London’s elite posing dressed up to the nines
Zineb Sedira: Dreams Have No Titles, Whitechapel Gallery review - a disorientating mix of fact and fiction
An exhibition that begs the question 'What and where is home?'
Yoko Ono: Music of the Mind, Tate Modern review - a fitting celebration of the early years
Acknowledgement as a major avant garde artist comes at 90
Unravel: The Power and Politics of Textiles in Art, Barbican review - the fabric of dissent
An ambitious exploration of a neglected medium
When Forms Come Alive, Hayward Gallery review - how to reduce good art to family fun
Seriously good sculptures presented as little more than playthings or jokes
Entangled Pasts 1768-now, Royal Academy review - an institution exploring its racist past
After a long, slow journey from invisibility to agency, black people finally get a look in
Barbara Kruger, Serpentine Gallery review - clever, funny and chilling installations
Exploring the lies, deceptions and hyperbole used to cajole, bully and manipulate us
Add comment