Visual Arts Reviews
On the Move: Visualising Action, Estorick CollectionSunday, 17 January 2010
When we look at still images of moving figures what we see is not exclusively determined by what is in front of our eyes but what we already know about the world. If we stopped to think about this, it would seem obvious. We would know, for instance, that the putti who are so joyously leaping, dancing and bounding about in Donatello’s static frieze Cantoria would make little sense to us if we didn’t already know what such static postures implied: still images of moving figures can... Read more... |
Princes William and Harry Portrait, National Portrait GalleryFriday, 08 January 2010
The latest official royal portrait, and the first painted portrait featuring the Princes William and Harry, hangs in a small room at the National Portrait Gallery among a selection of royal portraits of the Windsors. There’s the rather quirky one of the Queen Mother, painted in 1989 by Alison Watt, an artist who sought to capture her sitter “as ordinary as possible”. What our attention seems most drawn to is the china cup turned upside down on the arm of the Queen Mother’s armchair. Eh? Read more... |
Art 2009: Best and WorstWednesday, 30 December 2009
2009 hasn’t been a vintage year for art, exactly - no queue-round-the-block showstoppers, if that’s your type of thing. Nonetheless the year was nicely topped and tailed by some memorable, and quietly seductive shows. My top five are Picasso, Mark Wallinger, Gerhard Richter, Sophie Calle and The Sacred Made Real. |
Earth: Art of the Changing World, Royal AcademySaturday, 19 December 2009
There was a time, not long ago in fact, when contemporary art could seem all too wrapped up in its own juvenile cleverness. It was all about being ironic and irreverent. Certainly a lot of it was achingly self-referential. But we eventually got fed up with all that. What’s more, we now live in less frivolous, more fearful times: recession has hit and the sea waters are rising, ready to flood us out and turn our congested cities into swampy, primitive marshland, like an apocalyptic J G Ballard... Read more... |
Miroslav Balka, Tate Modern & Modern Art OxfordTuesday, 15 December 2009
Walk into the gaping mouth of the metal container featured in Miroslaw Balka’s installation at Tate Modern’s Turbine Hall and you are plunged into a disorientating darkness. Unnerved, you shuffle forward, passing and perhaps finding comfort in the ghostly presence of other limbs, other bodies which are also shuffling uncertainly, all awareness of... Read more... |
Identity, The Wellcome CollectionFriday, 11 December 2009
Perhaps we think we’ve got the whole thing more or less sewn up in the nurture versus nature debate. DNA profiling, gene studies, twin studies, inherited traits - this is the stuff we read about almost daily and it is all meant to tell us who we are. At any rate we seem to live in a culture obsessed with genealogy, which is perhaps as much to do with living as atomised units as it to do with the latest research about genes, or what used to be called heredity. Read more... |
The Art of Russia, BBC FourWednesday, 09 December 2009
If Andrew Graham-Dixon's arts career ever goes belly-up, there is surely a microphone with his name on it at Radio 4, so warm and confident and trustworthy is his voice. Judging, however, by his new three-part programme on BBC Four, The Art of Russia, there is no chance of this happening soon. Read more... |
Medieval and Renaissance Galleries, V&AWednesday, 09 December 2009
From the façades of whole buildings to rosary beads intricately carved in ivory to depict the minuscule forms of ghouls and corpses, the Victoria & Albert Museum’s Medieval and Renaissance Galleries tell the extraordinary story of 1,300 years of European art, design and architecture. Read more... |
Pictures Reframed: Leif Ove Andsnes & Robin Rhode, QEHFriday, 04 December 2009
We watch and listen simultaneously so much today that it hardly seems blasphemous for a superlative pianist to decide to conceive an evening of piano music plus video installation. Leif Ove Andsnes has doubts about the transmittability of classical music to a general audience today - he calls the status quo into question, and he may be right. Read more... |
Candy Gothic: Tim Burton, MoMA, New YorkFriday, 04 December 2009
Though he has yet to make a perfect film, the director Tim Burton’s choice of Gothic and fantasy subjects and his deadpan, post-expressionist approach to them rightfully designate him an auteur of considerable genius. His 14 movies to date have earned him a cohesive retrospective at New York’s Museum of Modern Art. Read more... |
Pages
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
My Master Builder, Wyndham's Theatre review - Ewan McGr...
It's both brave and bracing to welcome new voices to the West End, but sometimes one wonders if such exposure necessarily works to the benefit of...
First Person: rising folk star Amelia Coburn on her French i...
“Sandra” is one of my favourite tracks from my album Between The Moon and the Milkman which was released last year. While living in...
Adrian Utley / Eddie Henderson Project, Ronnie Scott's...
On the eve of recording an album at Real World Studios, guitarist Adrian Utley and the American trumpet player Eddie Henderson brought their “...
Album: Suzanne Vega - Flying With Angels
Wow, can it really be 40 years since Solitude Standing, the second studio album by Suzanne Vega who put the 1980s folk revival on the map...
Dealer's Choice, Donmar Warehouse review - fresh take o...
Patrick Marber’s powerful debut about gambling men is 30 years old, born as the Eighties entrepreneurial boom was starting to sour but...
La Serenissima, Wigmore Hall review - a convivial guide to 1...
When Giuseppe Torelli made the journey from his birthplace of Verona to Bologna in the late 17th century, the trumpet was still seen as something...
theartsdesk Q&A: director Leonardo Van Dijl discusses hi...
"Julie's story takes place everywhere", says the writer-director Leonardo Van Dijl, whose psychological drama Julie Keeps Quiet has...
Album: Lael Neale - Altogether Stranger
Over its crisp 32 minutes and nine songs, Altogether Stranger embraces electropop, lo-fi terrain and gothic solo contemplation. By...
Much Ado About Nothing, RSC, Stratford - Messina FC scores o...
Fragile egos abound. An older person (usually a man) has to bring the best out of the stars, but mustn’t neglect the team ethic....