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Mark Hudson

Bio
Mark is the author of Titian, the Last Days. He writes on art and music for the Daily Telegraph, the Mail on Sunday and The Observer. His other books include the award-winning Our Grandmothers' Drums, Coming Back Brockens and The Music in my Head.

Articles By Mark Hudson

Remembering Wilko: unforgettable encounters with the Dr Feelgood guitarist

Monday, 28 November 2022 Read more...

Gustav Metzger: Earth Minus Environment, Kestle Barton review - an illuminating glimpse of a visionary activist-artist

Wednesday, 10 August 2022 Read more...

Venice Biennale 2022 review - The Milk of Dreams Part 2: The Arsenale

Friday, 17 June 2022 Read more...

Venice Biennale 2022 review - The Milk of Dreams Part 1: The Giardini

Wednesday, 08 June 2022 Read more...

theartsdesk at the Port Eliot Festival

Monday, 28 July 2014 Read more...

Alan Davie, 1920-2014

Monday, 07 April 2014 Read more...

Yuletide Scenes 3: Winter Sea

Saturday, 21 December 2013 Read more...

Youssou N'Dour: Voice of Africa, BBC Four

Saturday, 31 August 2013 Read more...

The Dark Side of the Moon: A Counterblast

Monday, 25 February 2013 Read more...

Interview: Artist Richard Wentworth

Thursday, 14 February 2013 Read more...

Man Ray Portraits, National Portrait Gallery

Thursday, 07 February 2013 Read more...

Yuletide Scenes 3: Snow Falling in the Lane

Friday, 21 December 2012 Read more...

Artes Mundi Prize, National Museum Wales, Cardiff

Friday, 30 November 2012 Read more...

William Turnbull, 1922-2012

Friday, 16 November 2012 Read more...

Kafou: Haiti, Art and Vodou, Nottingham Contemporary

Thursday, 25 October 2012 Read more...

John Berger: Art and Property Now, Somerset House

Saturday, 08 September 2012 Read more...

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'We are bowled over!' Thank you for your messages... ...
Get Down Tonight, Charing Cross Theatre review - glitz and h...

In a fair few bars around the world tonight, bands will be playing “That’s The Way (I Like It)”, “Give It Up” and so many more of...

Nick Helm, Touring review - brash comic shows his vulnerable...

Comedy is strange old thing; it’s supposed to be funny ha-ha, but the laughs can often come from a dark place, as evidenced by Nick...

Slovenian avant-folk outfit Širom’s 'In the Wind of Nig...

The 16-minute album opener “Between the Fingers the Drops of Tomorrow's Dawn” coalesces at the 12-minute point, when clattering percussion meshes...

One Battle After Another review - Paul Thomas Anderson satir...

Paul Thomas Anderson’s frantic One Battle After Another is a storm warning for a fascist America and both a lament and a rallying call...

Black Rabbit, Netflix review - grime and punishment in New Y...

They say no good deed goes unpunished, so when New York restaurateur Jake...

Kerry James Marshall: The Histories, Royal Academy review -...

This must be the first time a black artist has been honoured with a retrospective that fills the main galleries of the...

First Person: Manchester Camerata's Head of Artistic Pl...

Over the past decade, Manchester Camerata has gained a reputation for continually innovating and redefining what an orchestra can do. But what...

The Hack, ITV review - plodding anatomy of twin UK scandals

The latest instalment of the ITV drama department’s attempts at trial by television is another anatomy of a scandal, but with little of...

Punch, Apollo Theatre review - powerful play about the stren...

For the first part of Punch it feels as if you’re riding a roller coaster, watching the world speed and loop past as you see it from the...