Visual Arts Reviews
Turner Prize 2009, Tate BritainFriday, 09 October 2009Anyone who has had their sensibilities battered by Tate Modern’s Pop Life show is likely to be equally taken aback if they wander along the Thames to this year’s Turner Prize exhibition at Tate Britain – but for completely different reasons. If Pop Life leaves you feeling that art can only progress through ever greater acts of outrage – that if you’re not actually having sex on camera you hardly count as creative – the tone over at Tate Britain is measured, cool, even academic... Read more... |
Conrad Shawcross: ChordFriday, 09 October 2009
Is site-specific the new collaboration? What I mean by this is that where it was once the fashion for artists and dancers (think Robert Rauschenberg and Merce Cunningham) or film directors and opera houses (Anthony Minghella and the ENO) to mix art forms, now... Read more... |
Pop Life: Art in a Material World, Tate ModernSaturday, 03 October 2009
That artists didn't just respond to the rapacious commercialism of the late 20th century, but actively contributed to it is hardly news. That the marketing of art can be part of the art itself is something everyone now implicitly understands, even if it’s only through hearing Tracey Emin wittering about herself on television. Read more... |
Moctezuma: Aztec Ruler, British MuseumMonday, 28 September 2009
History is written in blood, however elegant the cover. Nowhere is this more apparent than in the collapse in 1521 of the Aztec Empire, a culture that presented Europe with a vision of such otherness that it could only be destroyed. In 2002, the Royal Academy of Arts tried to persuade us to look beyond the grisly tales of human sacrifice to a more nuanced portrait of a people steeped in gory rituals that we, soaked in the serial-killer television porn of the 21st century, might strangely... Read more... |
Cindy Sherman, Sprüth MagersTuesday, 23 June 2009
I don't think I've ever seen quite so high a patron:picture ratio as at the Cindy Sherman opening at Sprüth Magers on Grafton Street last night. The gallery verily overflowed with an unaccustomed mixture of Mayfair and Shoreditch, spilling out onto the street where neon t-shirts rubbed shoulders with tailored suits, all to see three pictures. Read more... |
Pages
latest in today
Most of us have been there: an impasse in a marriage, a bereavement in a dysfunctional family. Leonard Bernstein certainly had when he composed...
Conclave
Director Edward Berger won an...
“The ocean is our home… Even in my next life I will dive again,” says Geum Ok, one of a band of female divers from Jeju, a volcanic island 60...
Sweet Release opens up a landscape of redemption by riding the rails of a classic blues, the title track talking of messages of peace and...
I turn 36 this year, while living in London and rehearsing my new play The Fear of 13 at the Donmar Warehouse. The cast places a cake on...
Unlike the controversial Netflix show Baby Reindeer, which challenges many of the same attitudes towards sexual harassment, self-delusion...
Of all the inventive and enterprising things Manchester Collective do, it’s most often been the playing of a string ensemble led from first desk...
Before Alice Lowe wrote her first short film scripts, she was, despite success in television and theater, “terrified” of making a full-length...
Merchant bankers then eh? It’s not a slang term of abuse for nothing, as the middlemen collecting the crumbs off the cake (in...