What's On

Today

[field_event_date_value_1][field_event_date_value_2] Gruesome Playground Injuries, Gate Theatre	[field_event_date_value_1][field_event_date_value_2] Old Times, Harold Pinter Theatre
[field_event_date_value_1][field_event_date_value_2] The Captain of Kopenick, National Theatre	[field_event_date_value_1][field_event_date_value_2] The Accrington Pals, Royal Exchange, Manchester
[field_event_date_value_1][field_event_date_value_2] The Turn of the Screw, Almeida Theatre	[field_event_date_value_1][field_event_date_value_2] London Wall, Finborough Theatre
[field_event_date_value_1][field_event_date_value_2] Anjin: The Shogun and the English Samurai, Sadler's Wells Theatre	[field_event_date_value_1][field_event_date_value_2] Desolate Heaven, Theatre 503 / Battersea
[field_event_date_value_1][field_event_date_value_2] Feast, Young Vic Theatre	[field_event_date_value_1][field_event_date_value_2] No Quarter, Royal Court Theatre Upstairs

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How often is an orchestral concert perfect in every texture, every instrumental entry, every phrase? Wednesday's Phiharmonia Prom struck sound-...

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There is, let’s be honest, a certain self-congratulatory self-satisfaction among some particularly well-heeled sections of the Edinburgh...

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Conceived and written by Matt Charman, whose CV...

“What's the New Mary Jane” is a nursery rhyme-like song, one of John Lennon’s most peculiar offerings. It was recorded for late 1968’s double...

Handel probably wrote his cantata Clori, Tirsi e Fileno in 1707 while he was in the service of the Marquis of Ruspoli in Rome. It tells...