book reviews and features
Caspar Henderson: A Book of Noises - Notes on the Auraculous review - a call to ears
Thursday, 05 October 2023
Have you ever considered the sheer range of sounds? You may think of deliberate human efforts to move the air: music and song, poetry or... Read more... |
'The people behind the postcards': an interview with Priya Hein, author of 'Riambel'
Tuesday, 03 October 2023
Priya Hein’s debut novel, Riambel, is an excoriating examination of Mauritius’ socio-political structures and the colonial past from which they have sprung. Centred around Noemi, a young... Read more... |
Michael Peppiatt: Giacometti in Paris review - approaching the impossible
Thursday, 28 September 2023
We begin with a dead-end. In 1966, Michael Peppiatt – at the time “an obscure young man” – travelled to Paris to... Read more... |
Annie Ernaux: Shame review - the translation of pain
Tuesday, 26 September 2023
The latest translation of Annie Ernaux’s Shame – a text most closely akin to a long-form essay – is an... Read more... |
Warhol, Velázquez, and leaving things out: an interview with Lynne Tillman
Friday, 22 September 2023
Motion Sickness (1991) is the second novel published by the writer, art collector and cultural critic Lynne Tillman. It is difficult,... Read more... |
Celia Dale: Sheep's Clothing review - unsettling, mundane, and right on-trend
Tuesday, 19 September 2023
Celia Dale published 13 novels between 1944 and her death in 2011. A majority of her these are often categorised – albeit loosely – as... Read more... |
Lutz Seiler: Pitch & Glint review - real verse power
Monday, 04 September 2023
Reading the torrent of press-releases and blurbs on the many – and ever-growing – contemporary poetry collections over time, one starts to notice a distinct recurrence of certain buzzwords: ... Read more... |
Zadie Smith: The Fraud review - the trials we inherit
Friday, 01 September 2023
Zadie Smith’s latest novel, The Fraud, is her first venture into historical fiction – a fiction based... Read more... |
Caitlin Merrett King: Always Open Always Closed review - looking for an approach while trying to do the approach
Tuesday, 22 August 2023
Always Open Always Closed is Caitlin Merrett King’s first published work of fiction, and it begins... Read more... |
Marie Darrieussecq: Sleepless review - in search of lost sleep
Thursday, 17 August 2023
“I lost sleep.” So begins Marie Darrieussecq’s elegantly fitful book, Sleepless, now perceptively translated into... Read more... |
Pages
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
MobLand, Paramount+ review - more guns, goons and gangsters...
A year ago Guy Ritchie brought us the Netflix series The Gentlemen, and now here he is on Paramount+ with his latest romp through the...
Ed Atkins, Tate Britain review - hiding behind computer gene...
The best way to experience Ed Atkins’ exhibition at...
Album: Miki Berenyi Trio - Tripla
I saw the Miki Berenyi Trio play a warmly received sold out set at the Lexington last autumn, at which many of the songs now coming out on ...
The Importance of Being Oscar, Jermyn Street Theatre review...
It’s a greater accolade than a Nobel Prize for Literature – one’s very own adjective. There’s a select few: Shakespearean;...
Album: Pigs Pigs Pigs Pigs Pigs Pigs Pigs - Death Hilarious
Pigsx7 have hardly got a reputation for penning tender and soulful ballads, but Death Hilarious is a particularly aggressive and...
Stiletto, Charing Cross Theatre review - new musical excess
That friend you have who hates musicals – probably male, probably straight, probably not seen one since The Sound of...
Misericordia review - mushroom-gathering and murder in rural...
“Be careful what you wish for, you might get it.” The Aesop-ian maxim roughly applies to Jérémie Pastor (Félix Kysyl) in Alain Guiraudie's...
Owen Wingrave, RNCM, Manchester review - battle of a pacifis...
It’s quite ironic that the Royal Northern College of Music should have invited, as director of this,...
Apex Predator, Hampstead Theatre review - poor writing turns...
Motherhood is a high stress job. Ask any woman and they will tell you the same: sleepless nights, feeding problems and worry. Lots of worry. Lots...