book reviews and features
Phoebe Power: Book of Days review - the clack of walking poles, the clink of scallop shellTuesday, 26 July 2022
The word “shrine” somersaults me back to the path of the Camino de Santiago. I have lost count of the faces that smiled up from photos positioned in the hollow of trees, some with little plastic... Read more... |
Jessie Burton: The House of Fortune review - a muted, sensitive sequelTuesday, 05 July 2022
A sequel is always a hard thing to write, especially if the book that precedes it is a bestseller, adapted for television and read by more than a million people. Yet Jessie Burton’s The House... Read more... |
Katya Adaui: Here Be Icebergs review - odd relationsFriday, 01 July 2022
The title of Katya Adaui’s debut collection in English is taken from one of the 12 short stories it contains: an... Read more... |
Stanislav Aseyev: In Isolation - Dispatches from Occupied Donbas review - journeys through space and time in UkraineWednesday, 29 June 2022
Stanislav Aseyev is a Ukrainian writer who came in from the cold. Until the spring of 2014, he was an aspiring... Read more... |
Mieko Kawakami: All the Lovers in the Night review - the raw relatability of lonelinessSaturday, 25 June 2022
Mieko Kawakami is the champion of the loner. Since achieving immense success in the UK with her translated works, she has become an indie fiction icon for her modern, visceral depictions of... Read more... |
Philip Ball: The Book of Minds review - thinking about the boxFriday, 17 June 2022
Years ago, one of the leading mathematicians in the country tried to explain to me what his real work was like. When he was on the case, he said, he could be doing a range of other things – having... Read more... |
10 Questions for art historian and fiction writer Chloë AshbySaturday, 11 June 2022
“Is she at a pivotal point in her life but unable to pivot…?” Eve, the young heroine of Chloë Ashby’s dazzling debut... Read more... |
Kim Hye-jin: Concerning My Daughter review - room for complicationFriday, 27 May 2022
In this best-selling Korean novella, recently translated into English by Jamie Chang, Kim Hye-jin offers us the perspective of a Korean... Read more... |
Alyn Shipton: On Jazz - A Personal Journey - digging jazz deeply and musicallyMonday, 23 May 2022
“I suppose you’re going to ask all the usual questions...?” When Keith Jarrett was interviewed by Alyn... Read more... |
Joanna Walsh: Girl Online - A User Manual review - how 'beatifoul' it is to be onlineWednesday, 11 May 2022
Scrolling to the top of my Twitter DMs, most of which are from close friends or acquaintances, I notice the message request section flash “1”. It’s a signal I usually ignore, having learnt from... Read more... |
Pages
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
latest in today
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
I’ve known for some time that Ariel Sharratt & Matthias Kom’s Never Work is my Album of the Year. This lividly witty...
It's second time only quasi-lucky for The Devil Wears Prada, the stage musical adaptation of the much-loved Meryl Streep film from 2006...
The Jesus and Mary Chain may have been around for some 40 years (albeit on and off), but the Reid brothers clearly have no intention of setting up...
Death of Music was created in Estonia. Despite the English lyrics, directness is absent. Take the title track. “Drop the music” exhorts...
There is something deliciously perfect about the timing of The Producers’ arrival at the Menier Chocolate Factory. In these...
There are no battlement leaps or murderous vows, no pistols or daggers, not so much as a slight cough disturbs the serene plot of La rondine...
Hermia is a headbutting punk with a tartan fetish, Oberon looks like Adam Ant and Lysander appears to have stumbled out of a Madness video. Yet...
Emmanuel Chabrier’s L’étoile is not exactly a French farce, but it comes from a post-Offenbach era (1877 saw its premiere) when cheerful...