book reviews and features
Mark Fisher: Postcapitalist Desire - The Final Lectures review - imagining the alternative
Tuesday, 12 January 2021
Postcapitalist Desire: The Final Lectures is a collection of transcripts, recording weekly group lectures... Read more... |
Julia Bell: Radical Attention review - a clear rendering of our withering attention spans
Monday, 11 January 2021
You go out for a walk and leave your devices at home; your head feels a little bit clearer. But when you get back and plonk yourself... Read more... |
George Saunders: A Swim in a Pond in the Rain review – Russian lessons in literature and life
Wednesday, 06 January 2021
Before he published fiction, George Saunders trained as an engineer and wrote technical reports. The Booker-winning author of Lincoln in the Bardo,... Read more... |
Courttia Newland: A River Called Time review - an ethereality check
Tuesday, 05 January 2021
It is near impossible to imagine what the world would look like today if slavery and colonialism had... Read more... |
Best of 2020: Books
Thursday, 31 December 2020
Stuck in our homes for most of this year, we found comfort and escape from books in ways unprecedented in 2020. The chance to dwell in alternative spaces, or inhabit different rhythms of living.... Read more... |
Book extract: Fat by Hanne Blank
Wednesday, 23 December 2020
"Ugh, I just feel so fat today," the woman near me in the locker room says to her friend as they get dressed after their workout. I look over – discreetly, as one does – to catch a glimpse of the... Read more... |
Goran Vojnović: The Fig Tree review - falling apart together as Yugoslavia splits
Tuesday, 15 December 2020
Seven years ago, at a literary festival in the Croatian port of Pula, I heard Goran Vojnović talk about... Read more... |
theartsdesk Q&A: poet laureate Simon Armitage on landscapes, libraries, home and edgelands
Thursday, 10 December 2020
Simon Armitage is a poet at the top of his game: in his second year as poet laureate, he has given voice to the... Read more... |
Don DeLillo: The Silence review - when the lights of technology go out
Tuesday, 08 December 2020
Don DeLillo’s latest novella, The Silence, has been marketed with an emphasis on its prescience, describing the... Read more... |
Annie Ernaux: A Man's Place review - an intimate portrait, necessarily incomplete
Tuesday, 01 December 2020
As much as we would like it to, writing can never fully recapture someone who is gone. This we learn all too effectively in A Man’s Place by Annie Ernaux, arguably one of... Read more... |
Pages
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Josienne Clarke, Across the Evening Sky, Kings Place review...
On the first date of a 17-concert tour that had its preview at Celtic Connections in January, Across the Evening Sky begins with the...
Shon Faye: Love in Exile review - the greatest feeling
As Valentine’s Day crests around us, and lonely hearts come out of their winter hibernation, what better time to publish writer and journalist...
Mary, Queen of Scots, English National Opera review - heroic...
Genius doesn't always tally with equal opportunities, to paraphrase Doris Lessing. Opera houses have a duty to put on new works by women composers...
Unicorn, Garrick Theatre review - wordy and emotionless desi...
Since when has new writing become so passionless? Mike Bartlett is one of the country’s premiere playwrights and his new play, Unicorn,...
Vollmond, Tanztheater Wuppertal Pina Bausch + Terrain Boris...
Imagine: you take your seat at the best restaurant in town, the waiter arrives with a flourish to fill your water glass, you hold it out and he...
Patrick Duff, The Mount Without, Bristol review - sacred mus...
There is an atmosphere of otherworldly stillness within the stony womb of a large dilapidated church in...
Album: Tim Hecker - Shards
The question of personality in abstract and ambient music has always been a fascinating one. Without conventional signifiers of expressiveness,...
Music Reissues Weekly: Sharks - Car Crash Supergroup
Sharks were formed in 1972 by bassist Andy Fraser after he left Free. There were two albums, line-up changes and ripples which resonated after the...
Fat Dog, Chalk, Brighton review - a frenetic techno-rock jug...
Ro first saw Fat Dog, before anyone had heard of them, at the Windmill in Brixton in front of a crowd of about 25 people. Their manic energy blew...