wed 27/11/2024

Album: Madeleine Peyroux - Let's Walk | reviews, news & interviews

Album: Madeleine Peyroux - Let's Walk

Album: Madeleine Peyroux - Let's Walk

Ninth album from US singer is a quietly likeable set of retro jazz-blues contemplations

Chillin' with them old blues

Madeleine Peyroux made her name with her second album, 2004’s Careless Love. It consists almost completely of cover versions, delivered in a quiet, jazz-bluesey shuffle redolent of singers from the 1930s. She’s never flown as high again but has maintained a decent career, mostly mining similar sonic territory.

Her new album, and first in six years, does not wander far from the path, but is all originals, written with regular collaborator Jon Herington. Despite being spiked with songs that have something to say, it’s a deliciously lazy summer listen.

Contrary to a common perception, Peyroux is not French. She grew up on the east and west coasts of America, her home country. But she did spend some years in Paris, marinating in its flavours, which have always bled into her music. Let’s Walk is laced with chanson feeling, and one song, the lightly twangy “Et Puis”, is sung in French.

Peyroux tackles meaty lyrical themes, such as the murders that sparked the Black Lives Matter movement on “How I Wish”, a doleful waltz wherein she sings of “empty dread” and treading "between fear and disgrace”. The song “Nothing Personal” is about sexual abuse. It’s gentle slow moodiness belies its lyrical brutality. It opens, “You violate me/I feel you hate me”.

The overall feel of the album is not po-faced, though. Serious themes are approached but Let’s Walk does, indeed, walk about musical styles, restless. Opener “Find True love” is a twinkling, hushed celebration of New Orleans, lyrically bubbly. The title track refers to civil rights marches and is ebullient gospel-themed doo-wop. “Me and the Mosquito” is a flamenco jolly, as might be perceived from the title.

Whatever she’s singing about, Peyroux puts it through her stylistic filter and makes it palatable. What she makes is, in essence, easy listening, even on chilled blues cuts such as “Please Come on Inside” and the jazzy, jolly “Showman Dan”. But she does it with intelligence and wit, culturally aware and musically sweet-natured.

Below: Watch the video for "Please Come Inside" by Madeleine Peyroux from her album Let's Walk

Comments

Nice piece, but just the one 'h' in the Herington's name

Thank you, now corrected

Add comment

The future of Arts Journalism

 

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters