tue 26/11/2024
Home > new music > The National, Brixton Academy

The National, Brixton Academy | reviews, news & interviews

The National, Brixton Academy

The National, Brixton Academy

Lead singer is out of sorts in a show that smoulders but never catches fire

by Tuesday, 30 November 2010
Share
It just didn't happen: The NationalKeith Klenowski

I spent a long time waiting for this gig to take off, but eventually realised that it wasn’t going to happen. To begin with I thought the band were just pacing themselves, playing a slow-burning set that would eventually explode into life, opening with the modest thrum of “The Runaway”, and following it with the similarly restrained “Anyone’s Ghost” and “Mistaken for Strangers”. But in the end, although The National moved up through the gears and finished the show with a big warm finale, still, it all seemed a bit flat.

I spent a long time waiting for this gig to take off, but eventually realised that it wasn’t going to happen. To begin with I thought the band were just pacing themselves, playing a slow-burning set that would eventually explode into life, opening with the modest thrum of “The Runaway”, and following it with the similarly restrained “Anyone’s Ghost” and “Mistaken for Strangers”. But in the end, although The National moved up through the gears and finished the show with a big warm finale, still, it all seemed a bit flat.

As the show progressed, the tension between band members became palpable

Buy

Explore topics

Share this article

Share

Comments

Submitted by Tom Sanderson (not verified) on Tue, 30/11/2010 - 09:42
I was at the gig last night, and I'm afraid I have to disagree with the review. Yes, Berninger did go walkabout between songs, but this didn't detract from a fantastic performance, and added to the banter with his bandmates. They made the Academy feel like a very small and intimate venue, and I loved every minute of it!

Submitted by Kelly (not verified) on Tue, 30/11/2010 - 09:57
There was no inter-band bickering, they ALWAYS banter with each other like that! Even Bryce Dessner pointed out that they were joking and they don't really hate each other. If anything, the flat atmosphere was the fault of the crowd. I've never seen such a sea of blank faces during songs like Abel and Mr November.

Submitted by Aaron Robinson (not verified) on Tue, 30/11/2010 - 10:33
You have no idea what you're talking about reviewer. Which gig were you at? This was the best gig I've seen this year, by a long way. Quite brilliant.

Submitted by John U (not verified) on Tue, 30/11/2010 - 10:49
Which gig were you at??? Brilliant from start to finish.

Submitted by julie (not verified) on Tue, 30/11/2010 - 12:36
I was at this gig and I absolutely agree with all the comments so far. Brilliant, loved every minute of it, and everyone around me seemed to be having a great time too!

Submitted by Tom (not verified) on Tue, 30/11/2010 - 12:36
Was the reviewer at the some concert as the rest of us? This was without doubt one of the best performances I have seen in some time (certainly this year). Tension between bandmates? Really? I was at the very front and I didn't notice any of this. I mean, they were joking with each other but as another commentator quite rightly pointed out, they always do. All in all it was a fantastic gig and a nice crowd.

Submitted by douchebag (not verified) on Tue, 30/11/2010 - 16:37
wtf were you watching?

Submitted by Mike Potter (not verified) on Tue, 30/11/2010 - 18:00
Got to agree with the rest of the comments left here - this was the best gig i've been to in a long time, i don't know what the reviewer is on about. The reviewer has also made way too much of the "tension" between bandmates, which was never anything more than good-natured banter, and certainly didn't lower the standard of performance, which was of the very highest quality.

Submitted by Brit (not verified) on Tue, 30/11/2010 - 19:59
what was the name of the opening act???

Submitted by andy mooney (not verified) on Wed, 01/12/2010 - 17:14
clearly the reveiwer is slightly bonkers (no offence) and a wee bit sensitive, the banter between the band added to the intimate feeling and the whole show was electric. Berninger did seem alittle distracted with something in the wings but that settled down after first couple of songs. I haven't seen so many smiling faces after leaving a gig in a long time

Submitted by cindy (not verified) on Wed, 01/12/2010 - 18:20
I didn't even have to go to the show to agree with the reviewer. The show sounds the exact same as The National show in Toronto two years ago. I've been to hundreds of concerts and that one almost put me to sleep!

Submitted by eatmybrains (not verified) on Thu, 02/12/2010 - 12:09
Just to back up the comments of others here i saw these guys at the Acadamy Manchester. It was a privilege to see such talent perform again. I saw them at Latitude and decided to pay a fortune on ebay tickets for the MCR do. One of the best nights ever, a week later in the midst of the winter freeze my other wise cold heart is warm and still racing.

Submitted by John U (not verified) on Thu, 02/12/2010 - 13:36
Mr Reviewer, this is how your review should have sounded: http://www.musicomh.com/music/gigs/national-4_1110.htm

Submitted by Eyoki (not verified) on Thu, 02/12/2010 - 17:19
I totally agree with your review. I was at the 29 November concert (which is the one i assume you're reviewing, this review being dated the 30th) and my experience was the same as yours. It sounds as though we were just unlucky: reviews for the later nights seem much more positive. Having said that, as you yourself say, it wasn't an awful gig, just not the amazing night we might have hoped for.

Submitted by sifen (not verified) on Fri, 03/12/2010 - 14:34
I experienced a very different gig that night. Awesome. This pretty much reflects the night http://www.independent.co.uk/arts-entertainment/music/reviews/the-nation...

Submitted by mediator (not verified) on Fri, 03/12/2010 - 14:47
Clearly it doesn't for everyone. Some of you people are so annoying, thinking that the truth lies elsewhere because those reviews agree with YOU.

Add comment

The future of Arts Journalism

 

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more New music

EFG London Jazz Festival round-up review - youth, age, and the greatness in between From Xhosa Cole Monking Around to 87-year-old Kirk Lightsey
EFG London Jazz Festival 2024 round-up review - from Korean noise to Carnatic soul A trio of bands and artists blend world music, cinematic grooves and pure noise at the London Jazz Festival
Album: Alice Ivy - Do What Makes You Happy Aussie producer's third is half gems and half pap
Music Reissues Weekly: Stefan Gnyś - Horizoning Folk-inclined Canadian’s brooding album emerges 55 years after it was recorded
Album: Kim Deal - Nobody Loves You More Gems in the rough on the Pixie / Breeder's long-awaited solo debut
Hannah Scott, Worthing Pavilion Theatre Atrium review - filling an arctic venue with human warmth Singer-songwriter brings moving, autobiographical songs to the freezing south coast
Album: Joan Armatrading - How Did This Happen and What Does It Now Mean Held in love and affection
Album: FaithNYC - Love is a Wish Away Wonderfully produced off-piste music
English Teacher, Queen Margaret Union, Glasgow review - Mercury winners step up in size with style The Leeds quartet's set was varied in genre but thrilling when punchy
Album: Father John Misty - Mahashmashana The flawless union of style and substance
Kenny Barron Trio, Ronnie Scott's review - a master of the cool Eloquent story-telling from jazz giant
Album: Body Count - Merciless Ice goes on autopilot

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters