thu 14/11/2024

This World: Ireland's Lost Babies, BBC Two | reviews, news & interviews

This World: Ireland's Lost Babies, BBC Two

This World: Ireland's Lost Babies, BBC Two

Martin Sixsmith pursues the harrowing story of Catholic children born out of wedlock

Martin Sixsmith: removing the gloss from the film Philomena

We think we know the story. As recounted in Philomena, in the 1950s and ‘60s the Irish state and Catholic Church colluded in putting children born out of wedlock up for adoption. A small minority was sent to America, causing a lifetime of trauma and longing in both mothers and children. For portraying one such mother who went in search of her son, Judi Dench was nominated for an Oscar, and the woman she played met Pope Francis.

The film’s ending was, if not quite happy, then at least redemptive.

Martin Sixsmith, whose book was the source for the film and who was played partly for comedy by Steve Coogan, has clearly itched to remove the glossy lick of paint from the big-screen version. So in Ireland’s Lost Babies he went in search of the more nuanced picture. What he found was the kind of stuff that you can’t put in a movie directed by Stephen Frears. He met four victims of Ireland’s forced adoptions: an elderly Irish widow and three Americans themselves edging out of middle age.

Lily Boyce remembers being dropped off at the nuns’ door while already in labour. “You can do your own dirty work,” said her mother. The nuns gave her a new name and treated her (alongside all the other young women) like one of the fallen. Her son was taken from her aged 17 months. A lifetime later she got a letter from him empathising with her pain but explaining that his first loyalty was to his adoptive parents. That was in 1999. She hasn’t heard anything since.

Mary’s new father had not been vetted at all by the laughably named Catholic Welfare Bureau

Lily’s story encapsulates the brute truth of Irish public morality as explained to Sixsmith by the novelist John Banville. “A son could get other girls pregnant. If a daughter got pregnant this was a social disaster. The family itself would practically be ostracised.” Hence between 40,000 and 60,000 children were given up for adoption until a law was introduced in 1973 offering unmarried mothers an allowance. Most of those adoptions took place in Ireland, but 2,000 children were basically trafficked to America, more or less marketed by the church which pocketed "donations" in return without, often, making background checks on the adopting families.

Two of the Americans Sixsmith met – Mike Hawkes in California and Mary O’Brien in Massachusetts - had been the victims of paedophilia. Mike (with his twin sister) was brought over by his new uncle, a high-up in the Catholic Church who was also a career abuser. Mary’s adoptive father had not been vetted at all by the laughably named Catholic Welfare Bureau: she has suffered from substance abuse and PTSD ever since. “It’s been a lot to overcome,” she said.

And then there was Cathy Deasy, who was brought to Florida as a younger sibling for an older sister. When the sister left for college on the West Coast, her parents upped sticks and followed. “We want you out of the house by 18,” her father told her. They’d also spent her college fund on holidays.

It’s no wonder that these harsher realities didn’t make it into the fictionalised mash-up that is Philomena. Nor that, essentially orphaned, these Americans all sought to find their birth mother. Here the Catholic Church disgraced itself all over again. A nun told Cathy, “Your mother is probably dead so why are you continuing the search?” She eventually found her with no official help, years after her first enquiry. Mike was advised that his mother had died since he made his approach: they'd sat on his request until it was too late. As for Mary, she had better luck tracking down her mother in London. But the long arm of Catholic guilt ensured there was no blissful reunion. “I went up to her,” she told Sixsmith, “and I hugged her. She literally froze.” She had to pretend she was a long-lost cousin.

The church, in response to all enquiries, routinely cited obligations to confidentiality. Even Sixsmith found it hard to land a glove on anyone in authority. It was only the discovery of nearly 800 small skeletons in the grounds of the former St Mary’s Mother and Baby Home earlier this year that forced state and church to come out and confront their guilt. The government has ordered a police report and a wider investigation for which it has solicited anyone who has information to come forward. They gave Sixsmith a statement. It’s all a bit late for the participants in this programme. If any of them had gone on to have children, none was mentioned.

I went up to her and I hugged her. She literally froze

rating

Editor Rating: 
4
Average: 4 (1 vote)

Explore topics

Share this article

Comments

I was left feeling terribly sad for Lily Boyce, who has been treated so badly by her son Joseph. He didn't reply to her second letter. In 1999 he used the excuse that he didn't want to upset his adoptive parents. What? It could be arranged that they needn't know about any contact. US is only a short flying distance from Ireland. Lily deserves better treatment from her son.

I would like to contact Lilly Boyce. My heart is broken for her. I'm Irish but live in the USA. She is welcome to stay with myself and family if she wanted to pursue looking for her son or if she needed a friend. Than you, Caroline Daly - 859-305-0635 Caroline34@aol.com

Add comment

The future of Arts Journalism

 

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters