Dance
theartsdesk
theartsdesk received a New Year's gift last night when we were given a significant accolade from BBC Radio 5 Live. In Web 2009 with Helen and Olly, the station's podcasters and self-styled "internet obsessives" Helen Zaltzman and Olly Mann recognised theartsdesk as one of the five "essential sites of 2009" in a series of awards to the "cream of weblebrity". The shortlist included such big names as Google Streetview and Spotify, the winner.Our category consisted of sites which "this year seemed to become entirely essential" and the presenters (pictured right) praised theartsdesk's " Read more ...
Ismene Brown
The Noughts were a bonanza time for builders, scientists and bureaucrats in the dance arena, throwing up numerous fine dance venues and bases, collaborating intellectually with modern choreographers, or targeting social minorities, but the blazing new trend that captured public imagination dodged all of those - it came up from the street. As if to show that dance doesn’t need all these people to organise it into existence, hip hop was the powerful new physical force in the land, providing all the things that the contemporary dance movement of the Nineties seemed increasingly to ignore. The Read more ...
Ismene Brown
There were some odd sights in Christmas Day viewing but none more discomfiting, I’d bet, than seeing a ballerina lying on a physio’s couch having a leg dragged quickly up to touch the side of her head while the other leg lay perfectly still pointing downwards. Can the body really do that? Another weird sight - dozens of people in full 18th-century French costume and wigs dancing in 40-degree heat on a Cuban stage. Meanwhile coachloads of dancers were going down with swine flu and a 45-year-old retired dancer was flown in from Germany to take the part of a 20-year-old. Surely nothing is as Read more ...
theartsdesk
The morning after the day before has dawned. If you're not inclined to join the shopping queues, theartsdesk is happy to suggest alternatives. Our writers recommend all sorts of cultural things you could get up to in the next week.See Wicked. This smart, feisty show is not just for teenage girls (though heaven knows they’ll thank you for taking them) but will tweak at the imagination and tickle the funny bone of anyone who’s ever contemplated the back-story of The Wizard of Oz. Stephen Schwartz’s zingy score is one of the best to have come out of Broadway in the last decade and you really Read more ...
theartsdesk
As we all have only one shopping day left, theartsdesk hopes to make Christmas Eve a little easier by offering a few enlightened recommendations. From our writers on new and classical music, opera and ballet, film and comedy, here is a list of CDs and DVDs that we hope will enhance your 11th-hour shopping experience. Happy Christmas from all at theartsdesk. DVDsIn the Loop, dir. Armando Iannucci (Optimum)by Jasper ReesThe cinematic spin-off of The Thick of It seems destined to take its place as an enduring moreish classic alongside This Is Spinal Tap. It’s as if the film knows it itself Read more ...
Ismene Brown
The improvement in ballet film from video to DVD has been colossal and welcome. The audio experience too has improved by leaps and bounds as it is more and more geared towards computers with earphones, rather than dodgy TVs. Hand in hand with technological advances has come a long-overdue new openness to recording by the Royal Ballet, which is now catching up with other leading world companies in considerable style. Here theartsdesk reviews significant new ballet DVDs plus some Christmas dance treats. Our reviewers are Ismene Brown and David Nice.Even in a few years, standards of light Read more ...
Ismene Brown
For a choreographer the moment your work becomes a classic is when the audience tells you that you’re casting it wrong. I’ve seen Matthew Bourne’s Swan Lake more than a dozen times for professional reasons since it first took off from Sadler’s Wells nearly 15 years ago, and it’s not Adam Cooper’s blinding image all those years ago that’s telling me the press night cast last night wasn’t delivering what the work is worth. It's because I have come to own this piece in my own imagination.I don't say this is Ibsen with wings, but the potency of Bourne’s rewrite of Swan Lake lies in the true Read more ...
Ismene Brown
Hip hop is the new ballet. Instead of mostly girls in tutus, mostly boys in tracksuits; instead of pointe-shoes, trainers; instead of arabesques and fouettés, handstands and windmills; above all, instead of nice, nasty. The smell on stage is burning rubber from the shoes; the atmosphere is electric; lights fractured; discipline razor-sharp. Some armies and ballet companies would crawl over broken glass to have the ensemble unanimity that’s displayed in Boy Blue’s cracking show Pied Piper at the Barbican.Contemporary dance companies and pantos could learn a lot from the fun factor and Read more ...
Ismene Brown
The well-prepared adult accompanying an under-10 to the Royal Ballet’s Tales of Beatrix Potter will take with them a pillow and a potty, the pillow for themselves, the potty to tuck under the seat for the necessary moment during this 70-minute marathon. Should the Stasi at Bag Search at the Opera House entrance insist on the potty being checked into the cloakroom, the canny adult carries a supersized handkerchief as backup, to stuff into the child’s wailing mouth when - 30 minutes in, with infant acuity - it realises that it has seen the best bits and there are another 40 minutes of these Read more ...
Ismene Brown
The spy out in the cold, the alienated Heathcliff of ballet, rough-hewn, moody and a little frightening - this is an image that’s commonly paraded of the choreographer Kenneth MacMillan. His ballets stand up that image, staging barely watchable sexual urges (The Judas Tree, My Brother, My Sisters), accusing polite society as a force for evil (Mayerling, Las Hermanas), smashing the porcelain in ballet’s china cupboard. Even his two most popular and conventional achievements, Romeo and Juliet and Manon, take the classical ballet model and shake it hard into a modern world of rebellious sex that Read more ...
Ismene Brown
It‘s when you see how popstar fame can reach people with more luck than work that Carlos Acosta’s achievement in becoming a truly popular ballet star is underlined. Ballet is just the toughest discipline there is. Great elite artists and great popular artists are generally divided by an insuperable wall; often there’s a sell-out of some kind when the great elite artist achieves wider popularity, the dancer gets cocky or vulgar or goes on too long. But I have to exempt Acosta from that.At Sadler’s Wells this week he is showing just what a ballet-dancer’s ballet-dancer he is. In an evening that Read more ...
Ismene Brown
If Margot Fonteyn and Rudy Nureyev were the most massively important people who ever existed in ballet, then the most massively important question that ever existed in ballet was, did they sleep together? Last night Margot got this over pleasingly quickly. There was the quivery BBC anno at the start that there would be scenes “of a sexual nature”, and hop-skip-jump the couple were at it like rabbits straight after their first performance together.After that things got considerably more complicated, and far more enjoyable. Following the disaster that was Gracie! last week, I fully expected Read more ...