Production Gallery: Russell Maliphant's AfterLight | reviews, news & interviews
Production Gallery: Russell Maliphant's AfterLight
Production Gallery: Russell Maliphant's AfterLight
Charlotte MacMillan's atmospheric photographs of a magical new dancework inspired by Nijinsky
Thursday, 30 September 2010
All photographs © Charlotte MacMillan
New photographs by Charlotte MacMillan of Russell Maliphant's expanded Afterlight, a mesmerising new dancework premiered at Sadler's Wells this week.
The portfolio adds stills from the substantial new sections to ones she took a year ago of the opening solo created for a Diaghilev tribute programme.
Russell Maliphant explains his original inspiration by Nijinsky's drawings to theartsdesk here. The dancers are Daniel Proietto, Olga Cobos and Silvina Cortés. Lighting is by Michael Hulls, conceived in combination with Es Devlin, costumes by Stevie Stewart, music by Andy Cowton and Erik Satie.
Browse the slideshow while listening to Pascal Rogé play Gnossienne No 1 (below)
The line has changed in classical dance. There's more outward reach now, so you have less bend, less folds in the body, those folds that you would put into sculpture, with a kink in the waist
Share this article
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more Dance
Help to give theartsdesk a future!
Support our GoFundMe appeal
Legacy, Linbury Theatre review - an exceptional display of black dance prowess
An all-too-fleeting celebration of black and brown ballet talent that demands a reprise
Encounters, Royal Ballet review - exciting mixed bill with a gem of a premiere
Pam Tanowitz's latest piece is a stunner that larkily subverts the rules
National Ballet of Canada, Sadler's Wells review - see this, and know what dance can do
Yet again, Crystal Pite proves herself a ferocious creative force, alongside fellow Canadian exports James Kudelka and Emma Portner
Nobodaddy, Teaċ Daṁsa, Dublin Theatre Festival review - supernatural song and dance odyssey
Michael Keegan-Dolan’s genius guides us through death, separation and loss
Alice's Adventures in Wonderland, Royal Ballet review - big, bold and ultimately brash
It may be box-office gold, but Christopher Wheeldon's adaptation fails to find a beating heart down the rabbit hole
Resurgence, London City Ballet, Sadler’s Wells review - the phoenix rises yet again
A new 14-strong company reviving a much-loved name is taking ballet to smaller theatres
The Mad Hatter's Tea Party, ZooNation, Linbury Theatre review - a joyous celebration of differentness
Kate Prince's hip hop take on Lewis Carroll is energetic, charming and moving by turns
Ballet Nights #006, Cadogan Hall review - a mixed bag of excellence
Gala enterprise, 12 months on, will be a stayer if it keeps up this level of excitement
theartsdesk Q&A: Nina Ananiashvili, founder of the State Ballet of Georgia
Bolshoi superstar who made her name in London returns with a new generation
Ashton Celebrated, Royal Ballet review - peerless delights from the master step-smith
A delicious triple bill kicks off a worldwide Fred-fest
Rocio Molina, Sadler's Wells Flamenco Festival review - mystery and dark magic, with a giggle
Annual Spanish showcase opens with a dancer intent on subversion by edgy games
Add comment