Sadler's Wells, 2010-11 Season | reviews, news & interviews
Sadler's Wells, 2010-11 Season
Sadler's Wells, 2010-11 Season
The full listings announced by London's dance and performance theatre
Tuesday, 09 November 2010
Bartabas and the Zingaro Equestrian Theatre: 'The Centaur and the Animal' 1-6 March 2011
The spring 2011 season at Sadler’s Wells opens booking on 15 November. Featured attractions include horses and mass nudity on stage, the Pet Shop Boys' first ballet, William Forsythe, New York's American Ballet Theatre, the usual hip hop, flamenco and tango seasons, and generous helpings of Belgian and Catalan contemporary dance. Full season guide below.
The spring 2011 season at Sadler’s Wells opens booking on 15 November. Featured attractions include horses and mass nudity on stage, the Pet Shop Boys' first ballet, William Forsythe, New York's American Ballet Theatre, the usual hip hop, flamenco and tango seasons, and generous helpings of Belgian and Catalan contemporary dance. Full season guide below.
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Like Water for Chocolate, Royal Ballet review - confusing and ill-conceived
Christopher Wheeldon's usual flair deserts him in his latest three-act story ballet
Carmen, Queen Elizabeth Hall review - a flawed but fascinating retread
Osipova mesmerises in a new contemporary dance chamber-version that doesn't quite hit its mark
Sacre, Circa Contemporary Circus, Brighton Festival review - an astonishing assortment of lifts and throws, daring and strength
Re-imagining 'The Rite of Spring' and re-defining the boundaries of circus
Classical CDs: Toyshops, begging gods and a good year for Austrian music
Classical piano music, French symphonies and a big box of ballets
Dance for Ukraine, London Coliseum, online review - a gala to remember
Swiftly-assembled charity effort demonstrates dancers' engagement with the world
The Weathering/Solo Echo/DGV, Royal Ballet review - the dancer as chameleon
Strong one-act works by Kyle Abraham and Crystal Pite show the dancers at their adaptive best
Swan Lake, Royal Ballet review - a magnificent revival
Liam Scarlett's production strikes a suitably mournful note on its second time out
The unexpurgated Clement Crisp - in memoriam
The titan of ballet critics, who has died at 95, once agreed to be grilled - with scorching results
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Ambitious but overly didactic portrait of a social work system struggling with emotional conflict
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