tue 31/12/2024

Ismene Brown

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Bio
Dr Ismene Brown designed and launched the original version of The Arts Desk in 2009, and was the Site Coordinator and a board director for three years, as well as its dance editor. A musician trained at the Royal College of Music, she has been dance critic for the Daily Telegraph and the Spectator, and has also written for TAD on classical music, theatre, TV and film. Since then she has gained an MA at UCL and DPhil at Oxford University for work on the Soviet politician and arts minister Ekaterina Furtseva.

Articles By Ismene Brown

Filumena, Theatre Royal Windsor review - Mozartian marriage comedy with pasta sauce

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theartsdesk Q&A: Nina Ananiashvili, founder of the State Ballet of Georgia

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Accolade, Theatre Royal Windsor review - orgy-loving knight makes for topical pre-election drama

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The White Factory, Marylebone Theatre review - what price dignity in hell?

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Patriots, Noël Coward Theatre review - crash-bang brilliant Putin comedy does it again

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4000 Miles, Minerva Theatre, Chichester review - brilliant Atkins in a tender play

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The Vortex, Chichester Festival Theatre review - naturalism clogs up Coward's pipes

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Hunting legendary treasure with ballet's Indiana Jones - Pierre Lacotte 1932-2023

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'You want to cry from loving to do it so much' - Lynn Seymour 1939-2023

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Dogs of Europe, Belarus Free Theatre, Barbican Theatre review - doom art with doom reality

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The unexpurgated Clement Crisp - in memoriam

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Ava: The Secret Conversations, Riverside Studios, Hammersmith review - about Ava Gardner's effing

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Matthew Bourne's Nutcracker!, Sadler's Wells Theatre review - new candy, but the nuts are off

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The Seven Pomegranate Seeds, Rose Theatre, Kingston review - misogynist Euripides stands corrected

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The Cherry Orchard, Windsor Theatre Royal review - Tolstoy meets Mrs Two Soups

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The Mirror and the Light, Gielgud Theatre review - nobody expects the Spanish Inquisition

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Best of 2024: Classical music concerts

As always, great concerts have outnumbered great opera productions over a year, and all of our national orchestras can be proud of their record. I...

Best of 2024: Dance

In an ideal world an end-of-year roundup would applaud only new ventures – fresh productions that you may curse for having missed but whose...

Best of 2024: Books

Billie Holiday sings again, Olivia Laing tends to her garden, and Biran Klaas takes a chance: our reviewers discuss their favourite...

Albums of the Year 2024: Nick Cave and the Bad Seeds - Wild...

Young eldritch junkie Nick Cave would have struggled to predict his maturity as a font of wry and sacred wisdom, or the fathomless loss he...

The Split: Barcelona, BBC One review - a soapy special with...

Maybe it was the timing, even though most of the action takes place in bright sunlight...

Best of 2024: Visual Arts

I thought I might never be able to say it’s been a great year for...

Spence, Perez, Richardson, Wigmore Hall review - a Shakespe...

“O stay and hear,” sings Twelfth Night’s jester Feste in his song “O mistress mine”, “your true love’s coming,/ That can sing both high...

Best of 2024: Comedy

Looking back over the past 12 months, it struck me how it has been the shows fashioned from personal stories that have stayed with me. It wasn't...

Best of 2024: TV

They say cinema is dying (you never know, they may be wrong), but you can’t help noticing the stampede of movie stars towards TV and streaming....