theartsdesk Christmas Message | reviews, news & interviews
theartsdesk Christmas Message
theartsdesk Christmas Message
Merry Crispmas: we suggest a rebranding of the big day
![](https://theartsdesk.com/sites/default/files/styles/mast_image_landscape/public/mastimages/932b3f3e1cf57455c9e37caf7e59dca2.jpg?itok=4pCuqO87)
Once upon a time in the central West Bank, a child called Jesus was allegedly born to a virgin. Once upon an even earlier time, the Greek demigod Perseus was also allegedly born to a virgin, likewise the Aztec god Huitzilopochtli. You can probably see where I’m going with this. There have been countless holy figures from Mexico to China, from Mongolia to Korea, and on and on down the millennia, who have supposedly been born in this biology-denying manner. Within the macrocosm of the mythic it all makes perfect sense: obviously a supernatural being would come into being in a supernatural way – first impressions are extremely important, especially when you’re after unquestioning adoration and obedience.
Once upon a time in the central West Bank, a child called Jesus was allegedly born to a virgin. Once upon an even earlier time, the Greek demigod Perseus was also allegedly born to a virgin, likewise the Aztec god Huitzilopochtli. You can probably see where I’m going with this. There have been countless holy figures from Mexico to China, from Mongolia to Korea, and on and on down the millennia, who have supposedly been born in this biology-denying manner. Within the macrocosm of the mythic it all makes perfect sense: obviously a supernatural being would come into being in a supernatural way – first impressions are extremely important, especially when you’re after unquestioning adoration and obedience.
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more
![](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/Screenshot%202024-10-30%20at%2017-39-09%20theartsdesk.com%20%28%40the_arts_desk%29%20%E2%80%A2%20Instagram%20photos%20and%20videos.png?itok=W02US5i5)
!['Filling the vessel but in doing so assuming her own shape too'](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/Josienne%20C.jpg?itok=1fK30ggZ)
!['Exacting and passionate': author Shon Faye](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/Shon%20Faye%20C%20Sophie%20Davidson%20%28cmp%29.jpg?itok=gM_kBASg)
![Open wide: Marek Walczewski and Jan Pietrzak in 'Golem'](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/Golem%20Still%20%2822%29.jpg?itok=Z2SbG0pY)
![Heidi Stober, fearless as isolated Mary](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/Mary%203.jpeg?itok=9hg9knBD)
![Three on a couch: Stephen Mangan, Nicola Walker and Erin Doherty in ‘Unicorn’.](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/unicorn2.jpg?itok=zSyQRgKO)
![Are you feeling any wetter?: the performers of the Pina Bausch company in her 2006 work 'Vollmond' (Full Moon)](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/Pina%20Bausch%2C%20Vollmond%2C%20Image%20Credit%20Martin%20Argyroglo%201.jpg?itok=wIi4ENee)
![Woody Taylor, left and Patrick Duff, at the Mount Without](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/Patrick%20Duff%20%40%20The%20Mount%20Without%202025%3A2.jpg?itok=PcRsSVe3)
![](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/301521.jpg?itok=fyq65VAU)
![The second line-up of Sharks in late 1973. Left to right: Chris Spedding, Nick Judd, Snips, Marty Simon, Busta “Cherry” Jones. The reason for the presence of a coffin is unknown](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/Sharks%20Car%20Crash%20Supergroup%20The%20Island%20Years%201973%201974_header_1000.jpg?itok=bdgpeCoJ)
![Not your typical band](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/20240617_FATDOG_FRANK%20FIEBER_2367_FINAL%20dog%20300dpi.jpg?itok=m1YmWukW)
![Not quite strictly ballroom: Iro Davlanti-Lo and Adrien Bariki-Alaoui with Ksenija Sidorova, Marin Alsop and the Philharmonia](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/alsop%20tango.jpg?itok=K3mq5xrE)
Add comment