LFF 2014: The Keeping Room

Rousing feminist Western featuring a powerful performance from Brit Marling

share this article

Brit Marling, Hailee Steinfeld and Munu Otaru take up arms

Indie actress Brit Marling takes aim at a rigid power structure in this tense and pared down female-led revisionist Western from British director Daniel Barber. Set towards the end of the American Civil war three women are grappling to survive and make sense of it all whilst the men battle it out and the world around them is burning to the ground.

Louise (Hailee Steinfeld), Augusta (Brit Marling) and Mad (Muna Otaru) make up this brave brood, two sisters and their slave, who are forced to come together to fight against a couple of rogue soldiers intent on taking them down. All the women turn in great performances but Marling's powerful physicality stands out. At one point when their home is under attack, Augusta is forced to fight fire with her clothes and in a bold move whips off her robe to reveal the strength hidden beneath the surface. Steinfeld proves her versatility with a role which renders her powerless and meek against intruders, playing out in stark contrast to her turn as the confident Mattie Ross in the Coen Brothers' True Grit.

Quieter moments, such as when Augusta and Mad get drunk and discuss love, are intimate and inviting yet always tinged with the threat of violence and rape. These women may let down their guard with one another but their eyes and ears are tellingly alert to danger, pointing to the horrors women have suffered and still endure.

Barber’s lean style is complementary to Julia Hart’s rousing rebel yell of a screenplay which plays with the idea that strength comes from solidarity and progress is made through a methodical plan of action.

Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
All the women turn in great performances but Marling's powerful physicality stands out

rating

4

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 31st August this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more film

Enthralling and witty political drama from 1960s East Germany
Matt Damon stars in Christopher Nolan's IMAX-sized recreation of Homer's epic poem
Dip your toes into these Homeric movies before Christopher Nolan’s 'The Odyssey' ties us to its mast
A Bellocchio classic is retooled as a stifllng rich-brats' revenge story
A potential camera in every hand: SMart celebrates smartphone directors
Hitchcockian black comedy from Luis Buñuel’s Mexican period
Olivia Wilde's snappy comedy on the perennial subject of reviving a failing marriage
Kiss kiss, bang bang in a moving Middle East documentary
David Vann's acclaimed novella transposed to the screen with mixed results
The most important 'how-to video' you are ever likely to see
Satyajit Ray's poignant, thoughtful drama, set in 1960s Calcutta
Superman's party girl cousin earns her stripes underwhelmingly