Announcing “A Michael Powell and Emeric Pressburger production” or, alternatively “A Production of the Archers”, an arrow thuds into the centre of a roundel. Whether in black and white or colour, that famous rubric not only conflates the auras of Robin Hood and the Royal Air Force, but issues a warning you’re about to get a shot in the eye. 

Martin Scorsese walks onstage to a hero’s welcome, shoulders a little hunched, with a touch of sideways shuffle or hustle, taking acclaim in his stride at 80. He has sold out London’s 2,700-capacity Royal Festival Hall for the BFI’s biggest Screen Talk by far, and the queue for returns stretches into the street, to see a director as big as any star.

François Truffaut said that there is no such thing as an anti-war film because cinema inevitably glorifies the horror of conflict. The premise was robustly challenged over the weekend at the Ukrainian Institute London’s fourth annual film festival, Side By Side, which screened a handful of films, documentary and narrative, feature-length and short, that compelled the audience to reflect deeply on war’s horrific nature.

The Arts Desk’s movie reviewers voted The Banshees of Inisherin the best film released in the UK in 2022. Here are our choices for the top 10 with the names of their directors:

1. The Banshees of Inisherin (Martin McDonough)

2. Aftersun (Charlotte Wells)

1. Nightmare Alley

It’s the late 1930s, and the America depicted here is still lost in the purgatory of the Great Depression. Director Guillermo del Toro has described it as “a straight, really dark story”, but it grips like a sinister, spectral visitation.

Based on William Lindsay Gresham’s novel (previously filmed in 1947 with Tyrone Power), it’s the story of Stanton Carlisle (Bradley Cooper), whose journey starts with his miserably paid job at a travelling carnival.

Movie-watchers are wallowing in the back catalogues. I hunted down theartsdesk's readership stats for the film reviews I’d written this year. Top of the list was not a new release at all, but the new extras-loaded Blu-ray version of Bertrand Tavernier’s 'Round Midnight (1986).

Madness, introspection, and childhood trauma all feature in the best films of 2022: a good year for delving deep. Triangle of Sadness is over-the-top, cathartic lunacy – don’t see it before going on a cruise – while The Banshees of Inisherin and Nope are marvellously mad in their own ways.

I’m struck by how many of my 2022 picks deal with relationships in extremis: a love story disguised as a Hitchcockian murder mystery, a long friendship gone suddenly surreally awry, an unlikely romance that unfolds on a sub-zero train journey, a married couple whose shared obsession with mortality is piqued by a toxic dust cloud, a father-daughter bond that’s finally understood through the prism of bitter-sweet memory.

In what feels like a less than stellar year for cinema, some films stand out. In some instances it was because I stepped a little outside my normal fare of blockbusters or star-driven vehicles and saw some films I might have thought a little too arthouse for my tastes. I'm very glad I did because otherwise I might not have seen a couple on this list.

Audrey Diwan’s French abortion drama Happening was the year’s hardest but most luminescent watch, as a fiercely intelligent young woman fights for her future survival as an artist in 1963, when illegal abortion requires wartime subterfuge and bloody violence to female bodies.