Veronica Lee's Top 10 Films of 2022 | reviews, news & interviews
Veronica Lee's Top 10 Films of 2022
Veronica Lee's Top 10 Films of 2022
Transforming expectations in a less than stellar year for cinema
Sunday, 18 December 2022
'Matilda the Musical': Emma Thompson and Alisha WeirNetflix
In what feels like a less than stellar year for cinema, some films stand out. In some instances it was because I stepped a little outside my normal fare of blockbusters or star-driven vehicles and saw some films I might have thought a little too arthouse for my tastes. I'm very glad I did because otherwise I might not have seen a couple on this list.
I chose as number one a film version of a stage musical that I loved; I'm often not a fan of transformations (in either direction) as I think they can be lazy or reductive. But not Matthew Warchus's Matilda the Musical, a joyous reincarnation of Roald Dahl's story given verve by Tim Minchin's songs and Emma Thompson having a whale of a time.
3. Living
5. Aftersun
7. The Woman King
8. Boiling Point
more Film
Fantastic Machine review - photography's story from one camera to 45 billion
Love it or hate it, the photographic image has ensnared us all
All You Need Is Death review - a future folk horror classic
Irish folkies seek a cursed ancient song in Paul Duane's impressive fiction debut
If Only I Could Hibernate review - kids in grinding poverty in Ulaanbaatar
Mongolian director Zoljargal Purevdash's compelling debut
The Book of Clarence review - larky jaunt through biblical epic territory
LaKeith Stanfield is impressively watchable as the Messiah's near-neighbour
Blu-ray/DVD: Priscilla
The disc extras smartly contextualise Sofia Coppola's eighth feature
Back to Black review - rock biopic with a loving but soft touch
Marisa Abela evokes the genius of Amy Winehouse, with a few warts minimised
Civil War review - God help America
A horrifying State of the Union address from Alex Garland
The Teachers' Lounge - teacher-pupil relationships under the microscope
Thoughtful, painful meditation on status, crime, and power
Blu-ray: Happy End (Šťastný konec)
Technically brilliant black comedy hasn't aged well
Evil Does Not Exist review - Ryusuke Hamaguchi's nuanced follow-up to 'Drive My Car'
A parable about the perils of eco-tourism with a violent twist
Io Capitano review - gripping odyssey from Senegal to Italy
Matteo Garrone's Oscar-nominated drama of two teenage boys pursuing their dream
The Trouble with Jessica review - the London housing market wreaks havoc on a group of friends
Matt Winn directs a glossy cast in a black comedy that verges on farce
Add comment