Even at the time it seemed a little strange: the visionary Kathryn Hunter as an oddball Cleopatra in a production that hardly seemed up to the mark either of her performing standards or of her own fabulous Shakespeare staging, a Pericles which was one of the two best things I've ever seen at the Globe.
theatre buzz
Jasper Rees
Pete Postlethwaite, who has died from cancer at the age of 64, was an extremely amicable man whom Hollywood had down as a lugubrious baddie. It happened in Aliens 3, in The Usual Suspects, in The Lost World: Jurassic Park.
theartsdesk
Yesterday was yesterday. Today there's the rest of the week. What are the options? You could go to the shops and exchange all your presents, or you could pursue something more in the cultural line. To which end, theartsdesk is delighted to propose some suggestions. Our writers strongly recommend that you do one or more of the following while opportunity knocks.
ENGLAND
Ismene Brown
London’s world-famous experimental pub-theatre has secured its future with a move into Shepherd’s Bush old library. Church and council permission were given yesterday for conversion of the library (owned by the Church of England) to be ready for curtain-up in 2011 when the lease on the Bush’s space in O’Neill’s pub, Shepherd’s Bush Green, expires.
theartsdesk
It began with a review of 100 Years of German Song. Roused by a comment to a reader (see Igor's comment below), Fisun was moved to email Igor in support of his trenchant views on arts funding. It wasn't long before other writers at theartsdesk got involved and an eruption of lively and passionate emails followed.
Jasper Rees
On 10 October, 2010 Harold Pinter would have turned 80. To celebrate, a group of actors gathered in a room to read The Room, his first play, to an invited audience. Among those present was his widow Antonia Fraser.
The play was introduced by Matthew Lloyd, artistic director of the Actors Centre and its in-house performance space, the Tristan Bates Theatre. Given that The Room was written when Pinter was still making his living as an actor it felt appropriate, he explained, that the celebration was being hosted by a venue where actors are able to hone their craft.
Jasper Rees
Theatre designers rarely make a name for themselves. They have to queue up for applause behind the writer, the director and the cast. It’s no surprise that they often seek creative control by working outside the box. Es Devlin has designed shows for Lady Gaga and the Pet Shop Boys. Peter Mumford has created a remarkable light installation on a screen above the altar at Guildford Cathedral. And now Ralph Koltai is unveiling his sculptures.
theartsdesk
The Blitz wartime version of Ovid’s Metamorphoses that David Nice was raving about is New York-bound now, after winning one of the Edinburgh Fringe Festival’s most generous awards, the Carol Tambor Best of Edinburgh Award. This, set up in 2004 in perpetuity, gives the winning production an all-expenses paid trip to New York’s Off-Off-Broadway to stage the show for a run of up to a month (and to keep the net box office receipts).
Adam Sweeting
After a 20-year absence from British TV, Sir Tom Stoppard returns to the small screen next year with his five-part adaptation of Ford Madox Ford's novel, Parade's End, on BBC Two. When the BBC approached Stoppard (pictured) with the idea two years ago, he had never read the book, but says that it "has been my preoccupation since then. The title covers a quartet of books set among the upper class in Edwardian England, mostly from 1911 to the end of the Great War."
Jasper Rees
Last weekend we posted a round-up of the vast array of site-specific work happening in the theatre over the summer. Most of them are shows which are so boldly experimental that they haven't much realistic hope of a commercial future. Plays for an audience of one are not the producer's friend. But it turns out that it's not just the mighty Punchdrunk who can shift tickets by the skipload.