classical music reviews
edward.seckerson
Conductor Zubin Mehta on the cover of Time in 1968
One sure (but expensive) way of luring Zubin Mehta to London is to hire the Vienna Philharmonic, too. He and the orchestra go way back to a time when the Indian-born superstar’s smouldering good looks might have suggested Bollywood as a more likely destination than the Vienna Conservatoire. But only the most precociously gifted 20-something conductor offers up Bruckner’s 9th Symphony for his first recording with the illustrious Philharmonic. And quite a fist of it he made, too. I still return to it from time to time.
igor.toronyilalic

One after the other came their pleas. “Save us!” they cried, “Save us, or we will be no more!” Not the words of the enslaved Israelites of Handel’s oratorio, however, but the sentiments of the English Baroque Soloists, the Monteverdi Choir and their supporters during their pre-concert supplications. Never has the plea of a fundraising concert chimed so well with the thrust of the music.

igor.toronyilalic
The Vienna Philharmonic Orchestra like to do things their way. They still show little compunction about discriminating on sexual and ethnic grounds and for over 70 years have maintained the idiosyncratic position of having no fixed principal conductor. Instead, like the prettiest girl in the school year, they carefully bestow grace and favour on a special chosen few. One of their longest running relationships has been with Nikolaus Harnoncourt, a partnership whose early results – trail-blazingly authentic - regularly raised Viennese hackles. So it was a great disappointment to learn that Harnoncourt – 80 this year - had been taken ill and that Franz Welser-Möst - whose former orchestra, the London Philharmonic, had nicknamed him Frankly Worse Than Most - would take his Proms place.
igor.toronyilalic
What exactly is the point of Sir Peter Maxwell Davies? I don't ask this with any malice or hostility, just in a tone of inquiry. It is a question that I think his new Violin Concerto, Fiddler on the Shore, raises. That is, is Davies still here to shock and annoy, or to assuage? The Royal Philharmonic Orchestra under Davies's baton presented the British premiere of the work last night, with Daniel Hope as the soloist, in the first of two proms that celebrated the composer's 75th birthday. Within its single-movement span were representations from the two opposing camps of Davies's life and musical language.

edward.seckerson
Schumann's
igor.toronyilalic

Among the most astonishing moments in John Adams's new opera Doctor Atomic (currently running at the English National Opera) is an aria at the end of the first act. The eponymous brains behind the Manhattan Project, Dr J. Robert Oppenheimer, stands alone on stage with his new creation, a spherical A-bomb coated in wires and tubes like a patient in intensive care, and sings John Donne's holy sonnet "Batter my heart, three-person'd God".