“That’s Marcelino Sambé, he’s wonderful,” said the artistic administrator of the Royal Ballet as I followed her down one of the many corridors that weave throughout the Royal Opera House in Covent Garden. “He’s a newly promoted Principal, a very special talent indeed!” I looked over my shoulder at the figure disappearing through some doors.

The magnificent, controversial Cuban ballerina Alicia Alonso, who asserted that she would live to 200, died yesterday in Havana, aged nearly 99.

"They incessantly break down, destroy and fragment the mistrust that exists among people," wrote a Latvian journalist of a folklore group during the start of the Baltic countries' "singing revolution" against Soviet rule in 1988. This is the recent reality, a nonviolent uprising unique in history, behind the daunting facts and figures of Latvia's latest "Song and Dance Celebration".

"Massenet feels it as a Frenchman, with powder and minuets," declared Puccini in annoucing his own operatic setting of the Abbé Prévost's 1731 novel Manon Lescaut.

Nobody deserves the title of New Adventures “legend” more than Scott Ambler; nobody is remembered more affectionately – the generosity of spirit, the many kindnesses, the fierce loyalty, the tears of pride in company notes sessions, the endearing eccentricities and, of course, the highly embellished and hilarious stories are all legendary to those that knew and worked with him. A much-loved friend and colleague since the early days of Adventures In Motion Pictures (AMP), he was also instrumental in creating the unique style that is synonymous with New Adventures today.

With forelock-tugging celebrations of a choreographer who died 25 years ago and a summer visit by the Mariinsky the highest-profile events in the calendar, 2017 may not be remembered as a vintage year for British dance.

Nureyev, the most notorious new production at the Bolshoi Ballet’s modern history, premiered last night in Moscow to a 15-minute standing ovation and exclamations of official approval even by Putin’s press secretary – but the ballet’s creator and director languished under house arrest, refused permission to see his own ball

Since its inception in 1997 Fierce, Birmingham’s International Festival of Live Art & Performance, has championed the work of performance makers not often seen in Britain. The pantheon of body artists under Mark Ball’s era as director included the likes of Franko B, Ron Athey and Kira O’Reilly. Under the helm of previous director duo Laura McDermott and Harun Morrison came experimental European choreographers and theatre-makers such as Eva Meyer-Keller, Kate McIntosh and Lundahl & Seitl.

Just as the 200th anniversary is about to be celebrated of the great genius of 19th-century classical ballets, Marius Petipa, the creator of The Sleeping Beauty, Don Quixote, La Bayadère, half of Swan Lake, and many other masterpieces, his oeuvre's most remarkable reconstructor has died suddenly, aged only 55.