Black Pumas, O2 Institute, Birmingham review - bluesy grooves with high octane energy

Sweet, sultry soul from swiftly rising Austin duo

share this article

Having been founded only in 2017 by singer/songwriter Eric Burton and guitarist/producer Adrian Quesada, Black Pumas have been rapidly rising to fame, with a Grammy award nomination in 2020 and the majority of their current European tour dates sold out. Though Tuesday’s Birmingham show, in Digbeth’s O2 Institute, was not among that number, the venue was still teaming with an eager and enthusiastic crowd. An impressive frontman, Burton displayed larger than life stage presence from the get go, oozing an infectious energy with punchy dance moves and full fat, no holds barred soulful vocals. 

Performing mainly material from their 2019 self-titled album, ‘Know You Better’ had an effortless groove, with backing singers Angela Miller and Laruen Cervantes both on occasion taking the spotlight, showing that they’re each an excellent soloist in their own right. “OCT 33”  had a deliciously sultry quality, with some exaggerated yet elegant effects going on in the guitars, before ending with a harder, more rocky feel. Ending their set with their single  “Colors” - which was also nominated in the 2020 Grammy’s as a stand alone track, for Record of the Year and Best American Roots Performance - the atmosphere was electric, with the whole crowd singing along as directed by Burton. 

Though Black Pumas is primarily a duo, their backing band’s also made up of some incredible musicians. Stephen Bidwell’s drum playing underpinned the rhythm with slick synchronicity, with Brendan Bond on Bass and JaRon Marshall on keys also splendidly colouring the music.  

Supporting was Pachyman, who brought his own original blend of stripped back Jamaican dancehall sounds. His music was interesting and his execution of it skillful, and had he been playing at a reggae or dub night he’d have been a highlight. As it was though, his primarily electronic based music, played by a sole performer, felt a somewhat odd fit, and just didn’t juxtapose well with the live energy of the main event. 








Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
Burton displayed larger than life stage presence from the get go

rating

4

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing! 

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a great deal, and hope you do too.

To take a monthly subscription now simply click here.

Or
Why not take an annual subscription and save a third off our monthly price simply click here.

more new music

A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time
Decades of psychedelia and wonder packed into a puzzling construction
Neo-folk songs that are woozy and atmospheric but thoroughly engaging