Modern British Sculpture, Royal Academy | reviews, news & interviews
Modern British Sculpture, Royal Academy
Modern British Sculpture, Royal Academy
Not so much an overview, more a series of inspired connections
Friday, 21 January 2011
Rebecca Warren's 'Helmut Crumb', 1999, conflates the names Helmut Newton and Robert Crumb and depicts female sexuality as imagined through both artist's eyes
Austere, elegant, impressive. Edwin Lutyens’s Whitehall Cenotaph is a thing of beauty, a monument that embodies permanence in the face of all that is impermanent, and solidity in the face of all that is ephemeral. It’s an inspired decision to bring it indoors, for inside a hushed gallery, away from the rush of traffic and stripped of its flags and sculpted wreathes, Lutyens’s memorial can at last be properly admired as a work of art.
Austere, elegant, impressive. Edwin Lutyens’s Whitehall Cenotaph is a thing of beauty, a monument that embodies permanence in the face of all that is impermanent, and solidity in the face of all that is ephemeral. It’s an inspired decision to bring it indoors, for inside a hushed gallery, away from the rush of traffic and stripped of its flags and sculpted wreathes, Lutyens’s memorial can at last be properly admired as a work of art.
The audacious, often puzzling turns this exhibition takes are no less startling than that first room
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