Love Never Dies: The Launch | reviews, news & interviews
Love Never Dies: The Launch
Love Never Dies: The Launch
Follow-up to Phantom announced with full orchestral fanfare
Thursday, 08 October 2009
The sealed invitation was from the man himself: no, not Andrew Lloyd Webber (who can, as we know, work in mysterious ways) but the Phantom. Nightly (and twice on Tuesdays and Saturdays) he vanishes from his underground lair deep in the bowels of the Paris Opera House (aka Her Majesty’s Theatre) leaving only his familiar half-mask as a symbolic reminder of his continuing omnipotence on stages throughout the world.
The sealed invitation was from the man himself: no, not Andrew Lloyd Webber (who can, as we know, work in mysterious ways) but the Phantom. Nightly (and twice on Tuesdays and Saturdays) he vanishes from his underground lair deep in the bowels of the Paris Opera House (aka Her Majesty’s Theatre) leaving only his familiar half-mask as a symbolic reminder of his continuing omnipotence on stages throughout the world.
Add comment
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more Theatre
My Father's Fable, Bush Theatre review - hilarious and haunting family drama
New play about secrets from the past is both funny and profound
The Bounds, Royal Court review - soccer play scores badly
New history play about football has a flawed second half
Kiss Me, Kate, Barbican review - an entertaining, high-octane Cole Porter revival
'Brush Up Your Shakespeare' brings the house down in a strongly cast lineup
The Taming of the Shrew, Shakespeare's Globe review - riotous comedy jars with the bitter pill of the production's message
This 'Shrew' has many fine elements but ultimately they don't coalesce
Miss Julie, Park Theatre review - Strindberg's kitchen drama still packs a punch
Much adapted play gets a traditional staging fuelled by electric leads
Marie Curie, Charing Cross Theatre review - like polonium, best left undiscovered
Celebrated scientist is ill-served by confused and dull show imported from Seoul
Being Mr Wickham, Jermyn Street Theatre review - the plausible, charming roué gives his version of events 30 years on
Adrian Lukis revisits his disruptive character from the BBC adaptation of 'Pride and Prejudice'
Wedding Band, Lyric Hammersmith review - revelatory staging of a Black classic
Alice Childress's 1962 play about interracial love has lost none of its richness and fire
Accolade, Theatre Royal Windsor review - orgy-loving knight makes for topical pre-election drama
Vintage Emlyn Williams play asks pokey questions about private-public tolerance
Lie Low, Royal Court review - short sharp sliver of pain
Dublin Fringe Festival hit from 2022 comes to London’s main new writing theatre
Boys from the Blackstuff, National Theatre review - a lyrical, funny, affecting variation on a television classic
The legendary small-screen drama still resonates in a new medium
First Person: LIFT artistic director Kris Nelson on delivering the best of international theatre to the nation's capital
LIFT2024 promises a characteristically broad and bracing array of global performance
Comments
...
...
...
...
...
...