Production Gallery: The Royal Ballet's Alice's Adventures in Wonderland

Charlotte MacMillan's photographs of the new Wheeldon ballet

by Charlotte MacmillanMonday, 28 February 2011

Tamara Rojo as the Queen of Hearts: 'Off with his head!'All photographs © Charlotte MacMillan

Charlotte MacMillan took photographs of the first new full-length ballet at The Royal Ballet for 16 years, Christopher Wheeldon's Alice's Adventures in Wonderland, which premiered last night at the Royal Opera House. Designs are by Bob Crowley, lighting by Natasha Katz, projection design by Jon Driscoll and Gemma Carrington. Music by Joby Talbot, scenario by Nicholas Wright.

See theartsdesk's review of last night's world premiere.

Performers in this cast include Sarah Lamb (Alice), Federico Bonelli (Jack), Jonathan Howells (White Rabbit), TamaraRojo (Queen of Hearts), Simon Russell Beale (Duchess). A second portfolio lies below of rehearsal photographs with the first-cast Alice, Lauren Cuthbertson. Please click on a photograph to enter the full view and slideshow.

[bg|/charlotte_macmillan/RB_Alice_portfolio]

Alice and sisters, Act I
Jack gives Alice a red rose, Act I
Alice
Alice in front of the giant doors
The shrinking room
The Caucus race
Duchess and baby
White Rabbit takes Alice by boat
Alice meets Jack in the Garden of the Flowers
The Queen of Hearts
Alice and Jack
Cartes de ballet

Below is a gallery of photographs of Lauren Cuthbertson rehearsing with Christopher Wheeldon, Edward Watson, José Martin and others.

[bg|/charlotte_macmillan/RB_Alice_Lauren_rehearse]

Charlotte MacMillan's website

Explore topics

Share this article

more Dance

Requiem, Opera North review - partnership and diversity Choral-orchestral performance meets contemporary dance in cross-cultural fusion

Nederlands Dans Theater (NDT1), Sadler's Wells review - an extinction rebellion in dance A rare visit from Europe's No.1 contemporary troupe makes a powerful eco-protest

Hunting legendary treasure with ballet's Indiana Jones - Pierre Lacotte 1932-2023 The prolific recreator of early ballets has died, leaving a lively argument

Jungle Book reimagined, Sadler's Wells review - a doomy revision of the Kipling stories Akram Khan repurposes the classic as a futuristic eco-disaster saga

Cinderella, Royal Ballet review - the first British ballet learns the language of flowers Plant life blooms everywhere you look in Frederick Ashton's earliest full-evening ballet

Tom Dale Company, The Place review - immersive and genre-busting Dazzling, ingenious, thought provoking - a big thumbs-up to the digital revolution

'You want to cry from loving to do it so much' - Lynn Seymour 1939-2023 Remembering the unique ballerina who injected me with her poison

Turn It Out with Tiler Peck, Sadler's Wells review - America's ballet wonder-woman raises the barre On her UK solo debut, New York City Ballet’s queen of speed gives audiences a wild ride

Woolf Works, Royal Ballet review - Wayne McGregor's modern classic impresses all over again Alessandra Ferri returns as the moving focus of this powerful piece

The Sacrifice, Dada Masilo, Brighton Dome review - eye-popping dance from South Africa The dance is riveting but the story is murky

Creature review - Asif Kapadia shines light on a dark dance piece The ballet has been transformed by a film version that gets up close and personal

Julie Cunningham & Co, Sadler's Wells review - a fine piece of work, with added spice The other Cunningham stakes out their territory in contemporary dance, and the non-binary debate

Follow @theartsdesk