Coming Up Later at the Old Vic Tunnels

Coming Up Later at the Old Vic Tunnels | reviews, news & interviews

Coming Up Later at the Old Vic Tunnels

by Alice VincentTuesday, 05 July 2011

The Old Vic Tunnels won't look like this for the three nights of the Coming Up Festival

It’s not often that a venue’s stage door is easier to find than its main entrance, but The Old Vic Tunnels is one such location. For those behind Coming Up Later, however, this is all part of the fun of a three-evening underground festival featuring a rather wonderfully haphazard range of performances. The event is the product of The Old Vic’s outreach programme, Old Vic New Voices, and the funding and artistic crowd-sourcing network IdeasTap.com. Such collaboration resulted in an opportunity few emergent creative directors could ignore: a production team, a budget to play with and three expansive tunnels for those who could imagine how best to use them.

Coming Up Later prides itself on its ephemeral existence – there have been no full rehearsals of the entire event

Explore topics

Share this article

The future of Arts Journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more Theatre

A Knock on the Roof, Royal Court review - poignant account of living under terror Gaza play is both surreally humorous and finally devastating

The Score, Theatre Royal Haymarket review - curious beast of a play fails to engage Missed opportunity to create a rich drama from this intriguing historical encounter

The Ferryman, Gaiety Theatre, Dublin review - Jez Butterworth's Northern Irish epic comes close to home Variable ensemble yields some gripping scenes and monologues

Backstroke, Donmar Warehouse review - a complex journey through a mother-daughter relationship Tamsin Greig and Celia Imrie shine in a multifaceted portrait of motherhood

Richard II, Bridge Theatre review - handsomely mounted, emotionally muted Jonathan Bailey makes a petulant stage return in Shakespeare's most luxuriant play

Otherland, Almeida Theatre review - a vivid, beautifully written take on the trans experience Bush's writing is as fresh as a sea breeze and as lyrical as birdsong

Much Ado About Nothing, Theatre Royal Drury Lane review - this shamelessly hedonistic production is a triumph Diamond-sharp banter and an endorphin fizz make this one of the best parties in town

Hamlet, Royal Shakespeare Theatre - Luke Thallon triumphs as the state succumbs to storms The iceberg cometh

East Is South, Hampstead Theatre review - bewildering and unconvincing House of Cards writer tackles AI and religion, but without the necessary clarity