tue 19/11/2019

CD: Alanis Morissette - Havoc and Bright Lights | reviews, news & interviews

CD: Alanis Morissette - Havoc and Bright Lights

CD: Alanis Morissette - Havoc and Bright Lights

Emotional Canadian songbird recaptures some magic on uneven eighth album

Morissette: turning the (dandelion) clock back

It’s been 17 years since Alanis Morissette’s Jagged Little Pill gave “complaint rock” a feminine make-over. With a captivating combination of therapy-angst and offbeat melodies, it didn’t matter that Alanis didn’t understand the word ironic, the whole package was iconic. Since then, however, her efforts to recreate the same magic have been patchy.

Havoc and Bright Lights is no exception. Let’s start with the good stuff. At its best it turns the clock right back to the mid-Nineties. Subjects like motherhood (“Guardian”) may be new, but her idiom is still feisty, confessional, kooky and sensitive. Morissette may not be the first to have a go at the likes of Paris Hilton and Lindsay Lohan, but calling vacuous celebrities “tattooed sexy dancing monkeys” certainly makes her one of the most memorable. Then there are lyrical gems like “I get reduced by my own wilfulness/ As I reach for my usual God-replacements” and “There are so many colours that I still try to hide while I paint/ And there are so many tunes that I secretly sing and I hate" ("Empathy"). Written down they might look a little silly, but Morissette's sincerity is so beyond doubt that it transforms them to something quite special.

The problem is that Morissette and co-writer Guy Sigsworth just didn’t have enough solid tunes to warrant putting 14 songs on the album. The best – “Guardian”, “Woman Down”, “Spiral, Havoc” and “Will You Be My Girlfriend” – are dead ringers for the Jagged Little Pill sessions. The directness of her voice hasn’t moved a millimetre and, where it works, the bright, acoustic AOR sound still skilfully moves between sweet and sour. The overall listening experience, however, is marred by sappy drivel like “Til You” and the anger-by-numbers arrangement of “Numb”. It seems by trying to cover all possible bases, Morissette has actually stopped Havoc and Bright Lights being the four-star album it should have been. Isn't that ironic?

Watch the video for new single "Guardian"

Add comment

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 10,000 pieces, we're asking for £3.95 per month or £30 per year. We feel it's a very good deal, and hope you do too.

To take an annual subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters

Advertising feature

★★★★★

A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.
The Observer, Kate Kellaway

 

Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.

 

★★★★★

This final part of Florian Zeller’s trilogy is the most powerful of all.
The Times, Ann Treneman

 

Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.

 

Book by 30 September and get tickets from £15*
with no booking fee.