mon 25/11/2024

DVD: Schalcken the Painter | reviews, news & interviews

DVD: Schalcken the Painter

DVD: Schalcken the Painter

A much sought after BBC horror tale matches its sinister reputation

Spectre at the feast: Schalcken (Jeremy Clyde), Dou (Maurice Denham) and Rose (Cheryl Kennedy) have an unwelcome dinner guest

Schalcken the Painter looks like a documentary shot inside a Dutch Golden Age painting, out of whose black depths the Devil one day materialises. Taking the truly ghastly guise of the invincibly wealthy merchant Vanderhausen (John Justin), he buys Rose (Cheryl Kennedy) for his wife from the great Dutch painter Dou (Maurice Denham).

Dou’s pupil Schalcken (Jeremy Clyde), though thinking himself in love with Rose, does nothing to save her, and as the years pass, ambition for his painting career (destined to be minor) and brothel visits replace his callow feelings for the girl. But neither she nor the Devil are quite done with him.

Leslie Megahey’s 1979 adaptation of Sheridan Le Fanu’s 1839 horror story spun from the lives of real painters is a long sought-after gem in the BFI’s Flipside series. Made for the BBC’s great arts documentary series Omnibus, Megahey used his position as its editor to stretch its remit to brilliant breaking point.

Schalcken was shown at Christmas, replacing the BBC’s seasonal tradition of MR James ghost stories. This tale is more explicit and more mysterious than those. Light flickers from candles and through stained glass in the almost silent world of Dou’s studio. There’s a raw and luminous realism drawn from the period’s paintings, which makes Vanderhausen’s apparition – the camera swings back to a place where no one stood, and there he is – more dreadful. Megahey chose Justin for his ruined matinee idol looks: this Devil, or maybe Death, has awful charisma.

A point is being made about Dutch materialism, and its part in their art. But the erotic and violent currents flowing around the vivid woman Rose’s enslavement cast their own fervent spell, in a tremendous film otherwise depicting enervated stillness, and time’s implacable march on our hopes.

Raw and luminous realism drawn from the period’s paintings makes Vanderhausen’s apparition more dreadful

rating

Editor Rating: 
4
Average: 4 (1 vote)

Share this article

Add comment

The future of Arts Journalism

 

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters