fri 22/11/2024

CD: Livity Sound - Livity Sound | reviews, news & interviews

CD: Livity Sound - Livity Sound

CD: Livity Sound - Livity Sound

What can three Bristolians make of a genre as old as them?

Livity Sound: alive with dark joy

The past year or two have seen a staggering return to popularity of house and techno music in the UK. For the first time since the mid-1990s, records which have grown steadily through club play over many months are breaking through into the charts on a regular basis – but just as exciting and significant are those records that remain resolutely underground.

Because it's there that you start to see the real reason for the longevity of these sounds – both well over a quarter of a century old.

Take Livity Sound, for example, a trio of young Bristol-based producers – Pev, Kowton and Asusu – with roots in the city's dubstep scene, but a sound that has moved firmly into the techno sphere. This collection of 18 tracks by the three in different configurations is as good a demonstration as you could ask for of why the basic principle of putting together kickdrum + bassline + strange boingy noise produced purely from electrical signals and repeated over time is still perfectly functional and fertile. These tracks are alive with dark joy.

Whether there are intense drones (“Surge”) or slowly unfolding melodies (“End Point”), four-square rhythms (“Jam”, “Sister”) or complex syncopations informed by grime and dancehall (“Aztec Chant”, “Raw Code”), what you can hear is young musicians completely in love with each sound they produce, and refusing any embellishment that might obscure those beloved tones. Each cymbal, each whirr, each chime, each monumental subsonic upwelling is built afresh for its precise function within its given track, and the whole is overwhelmingly, perfectly designed to alter space around it – to turn the room it's played in into a safe, inviting, warm, strange place. Why is four-to-the-floor electronic club music still popular with people who weren't even born when its basic forms were codified? Simple answer: because its simple rules allow music like this to be made.

Overleaf: watch Livity Sound play live in the Boiler Room


Why is four-to-the-floor electronic club music still popular with people who weren't born when its basic forms were codified?

rating

Editor Rating: 
4
Average: 4 (1 vote)

Share this article

Add comment

The future of Arts Journalism

 

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters