tue 15/10/2019

joe muggs

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Bio
Joe writes regularly for FACT, The Wire and Mixmag, specialising in electronic music and the anything-but-grey areas where genres and media dissolve into one another.

Articles By Joe Muggs

latest in today

A History of Water in the Middle East, Royal Court review -...

Sabrina Mahfouz is a British-Egyptian writer who has explored issues of Muslim and British identity in various formats. Her work includes poetry,...

LFF 2019: The Irishman review - masterful, unsentimental gan...

Time passes slowly and remorselessly in The Irishman. Though its much remarked de-ageing technology...

Verdi Requiem, LPO, Gardner, RFH review – beyond the big noi...

You seldom expect to feel the breath of apocalypse and the terror of the grave amid the modestly rationalist architecture and passion-killer...

CD: James Arthur - You

It’s an easy joke to suggest that James Arthur needs an editor. By this point, the 31-year-old singer is almost as...

Thomas J Campanella: Brooklyn - The Once and Future City rev...

For visitors to New York, it’s all about Manhattan, its 23...

Great Women Artists review - the book we have been waiting f...

Every now and then a book comes out that can change lives. If a survey like this had appeared when I was a student at the Slade, the struggle to...

Reissue CDs Weekly: Dip - Ḣ-Camp Meets Lo-Fi

The temptation with the 20th anniversary reissue of Ḣ-Camp Meets Lo-Fi (Explosion Picture Score) is to look for traces...

Baby Reindeer, Bush Theatre review - break, break, breaking...

True stories, even in a fictional form, have the power to grip you by the throat, furiously shake your body and then give you a parting kick in...

PP Arnold, Islington Assembly Hall review - joy in a consumm...

“I had my first inter-racial relationship.” Moments after walking on stage and before the first song, PP Arnold is reminiscing about when she...