fri 07/10/2022

joe muggs

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Bio
Joe writes regularly for FACT, The Wire and Mixmag, specialising in electronic music and the anything-but-grey areas where genres and media dissolve into one another.

Articles By Joe Muggs

latest in today

The Caucasian Chalk Circle, Rose Theatre review - new produc...

Brecht – as I suppose he intended – is always a shock to the system. With not a word on what to...

The Boy with Two Hearts, National Theatre review - poignant...

It’s particularly poignant to watch this story in the knowledge that a little over a year after US-led troops withdrew from Afghanistan, women and...

James IV: Queen of the Fight, Festival Theatre, Edinburgh re...

"The poem is real," intones entertainer-turned-courtier Ellen solemnly as a prologue and epilogue to Rona Munro’s...

Album: Broken Bells - Into the Blue

Not content with having released one of the best hip-hop albums in recent memory (Cheat Codes, alongside Black Thought), producer Brian...

Inside Man, BBC One review - strong cast trapped on a sinkin...

Screenwriter and showrunner Steven Moffat is renowned for some of his work, especially...

Lucian Freud: New Perspectives, National Gallery review - a...

There stands Lucian Freud in Reflection with Two Children (Self-portrait), 1965 (main picture) towering over you,...

Blu-ray: Nitram

Nitram is an object lesson in how to make a responsible film about a mass shooting, right down to not using the fame-seeking...

Only an Octave Apart, Wilton's Music Hall review - inst...

You know you’re in good company the minute these two appear on stage: they are so splendidly what they are, comfortable in their own skins and...

Jaminaround, Ancient Technology Centre, Cranborne review - c...

The most unlikely venue: an extraordinary, authentic-as-can-be replica of a large Iron Age roundhouse. There’s a turf and grass roof, and the...

Andrew Murray: Is Socialism Possible in Britain? review - wh...

The title of Andrew Murray’s new book poses a question that also vexed...