tue 18/09/2018

joe muggs

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Bio
Joe writes regularly for FACT, The Wire and Mixmag, specialising in electronic music and the anything-but-grey areas where genres and media dissolve into one another.

Articles By Joe Muggs

latest in today

10 Questions for singer Live Foyn Friis

Norwegian-Danish singer Live Foyn Friis (for English-speaking readers, Live is her first name) has released six albums, and...

Ian Bostridge, Thomas Adès, Wigmore Hall review - haunting,...

Winterreise brings out the best from Ian Bostridge, and the worst. His dedication to understanding and communicating its complex and...

Strangers, episode 2, ITV review - conspiracy theories multi...

You might consider it odd that a man whose wife spends half the year in Hong Kong without him hasn’t managed to get around to catching a plane...

The Prisoner, National Theatre review - Peter Brook's l...

Of the Edinburgh International Festival’s three productions by 2018’s resident company, Paris’s Théâtre des Bouffes du Nord, ...

Parsifal, Saffron Opera Group review - drama and focus

It is a pleasure to report on the continuing success of the Saffron Opera...

DVD: Mario

Swiss director Marcel Gisler’s film tells a...

War and Peace, Welsh National Opera review - an Operation Ba...

What lunatic would ever have the idea of turning War and Peace into an opera? Well, maybe if you, a composer, had found yourself in...

LSO, Rattle, Barbican Hall review - a mixed bag of British c...

A tradition seems to have been invented. First nights of the LSO’s...

Tosca, Opera North review - exciting update, strong on sonic...

Puccini’s Tosca isn’t a subtle work, and this,...

CD: Malcolm Middleton - Bananas

Bananas is Malcolm Middleton’s first solo album to be built around...