thu 03/12/2020

joe muggs

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Bio
Joe writes regularly for FACT, The Wire and Mixmag, specialising in electronic music and the anything-but-grey areas where genres and media dissolve into one another.

Articles By Joe Muggs

latest in today

Natalie Palamides: Nate: A One Man Show, Netflix review - de...

Edgy comedy runs the risk of discomfiting the audience so much that they can't relax and enjoy the show. But Natalie Palamides, appearing as Nate...

Album: High Contrast - Notes From the Underground

Dance music has a notably different relationship to its past than other kinds of music. This has a real, material basis: because its core...

Zanele Muholi, Tate Modern review - photography as protest

Hail the Dark Lioness (Somnyama Ngonyama in Zulu) is a powerful celebration of...

Mank review – David Fincher’s brilliant, bitter-sweet paean...

For so much of the year, Tenet was cited as the film that was going to save cinema – the tentpole extravaganza that would draw...

Mary Chapin Carpenter, One Night Lonely livestream review -...

Mary Chapin Carpenter’s Songs from Home has been an anchor-point almost since the beginning of lockdown for many people, all of us invited into...

Collective review - waging war on corruption

It was around the time of the 14th century Black Death that the word “corruption” – from the Latin corruptus, the past participle of ...

Album: Nick Cave & Nicholas Lens - L.I.T.A.N.I.E.S.

The Covid pandemic has meant, with both performance and recording opportunities at a minimum, that many musicians have had to apply a bit of...

The Undoing, Series Finale, Sky Atlantic review - bluff and...

Throughout its preceding five episodes, The Undoing (...

Christine Rice, Julius Drake, Wigmore Hall review - songs of...

It began as a Christmas present in the bleakest of winters. In December 1939, as war engulfed Europe, Bertolt Brecht sent a poem to the exiled...