wed 29/05/2024

joe muggs

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Bio
Joe writes regularly for FACT, The Wire and Mixmag, specialising in electronic music and the anything-but-grey areas where genres and media dissolve into one another.

Articles By Joe Muggs

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The Harmony Test, Hampstead Theatre review - pregnancy and p...

“Welcome to motherhood, bitch!” By the time a character delivers this reality check, there have been plenty of laughs, and some much more awkward...

The Lovely Eggs, XOYO, Birmingham review - Lancashire duo br...

When the Lovely Eggs’ married duo of Holly Ross and David Blackwell took to the stage at the recently rebranded XOYO in Birmingham on Bank Holiday...

Album: Bat For Lashes - The Dream of Delphi

Natasha Khan’s musical career has always explored the artier end of...

Bluets, Royal Court review - more grey than ultramarine

When does creativity become mannered? When it’s based on repetition, and repetition without development. About halfway through star director Katie...

Sheffield Chamber Music Festival 2024 review - curator Steve...

“Saint-Saëns: The Renaissance Man” proclaimed the big screen at the first remarkable programme I attended within the 2024 Sheffield Chamber Music...

Blu-ray: Two Films by Yasujirō Ozu

It’s interesting to discover that sound wasn’t the norm in Japanese...

Sphinx Organization, Wigmore Hall review - black performers...

Kudos to the Wigmore Hall for continuing to make efforts to diversify its roster of performers and repertoire. Last year I reviewed the...

Travels Over Feeling: The Music of Arthur Russell, Barbican...

Last night’s Travels Over Feeling: The Music of Arthur Russell (a concert in part accompanying the recent publication of a book about his...

Album: Richard Thompson - Ship to Shore

Any Richard Thompson appearance comes with a hallmark guaranteeing quality produce – be that an album or a stage show. 

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