sat 23/11/2024

DVD: The Adventures of Antoine Doinel - Five Films by François Truffaut | reviews, news & interviews

DVD: The Adventures of Antoine Doinel - Five Films by François Truffaut

DVD: The Adventures of Antoine Doinel - Five Films by François Truffaut

“The 400 Blows’” anti-hero Antoine Doinel lacks charm in the long run

Antoine Doinel (Jean-Pierre Léaud) and wife Christine (Claude Jade) take different approaches to literature in 1970’s “Bed & Board”

François Truffaut’s The 400 Blows is a classic. Not only is it one of cinema's best films and a foundation of French New Wave, it also affectingly and rivetingly depicts an anomie-filled childhood. Released in 1959, it was a comment on French society which pulled no punches yet had warmth at its core. The magnetic star was Jean-Pierre Léaud, playing the then 13-year-old anti-hero Antoine Doinel with a panache which seemed as though he was refracting his own persona.

Truffaut did not leave it alone and four more Doinel vehicles followed: Antoine and Colette (1962), Stolen Kisses (1968), Bed & Board (1970) and Love on the Run (1979). A half-hour section of the portmanteau film L’amour a vingt ans, Antoine and Colette found the older and less-wise Doinel attempting to romance Colette (Marie-France Pisier). Like Doinel and his future wife Christine (Claude Jade), Colette became a recurring character in the films. This box set collects the four stand-alone DVDs of the full-length films with no material additional to the existing extras (Antoine and Colette is included on the Bed & Board disc – it would, chronologically, make more sense with either The 400 Blows or Stolen Kisses). A keen price is the driver, and anyone already owning each DVD need not seek this out.

Despite The 400 Blows’ epochal nature, each of the subsequent films is a less impactful, quirky romantic comedy of manners. All are overshadowed by their forebear. Doinel is tracked through his relationships, marriage, fatherhood and divorce. He publishes a self-serving book on his life and frequents prostitutes, but otherwise just-about holds down a series of inane jobs: he operates the remote control for model boats in a harbour demonstration; he dyes flowers; he is an incapable TV repair man. Seen in toto over the films subsequent to The 400 Blows, his charm wears thin as does the whimsy. He is capricious, a clever-arse, selfish and vain. But he charms many of those around him. The 400 Blows is a five-star classic. Overall though, this is a three-star set. Truffaut and Léaud should have left it alone after The 400 Blows. Eric Rohmer did this sort of thing much better.

Despite "The 400 Blows’" epochal nature, each subsequent film is a less-impactful romantic comedy of manners

rating

Editor Rating: 
3
Average: 3 (1 vote)

Share this article

Add comment

The future of Arts Journalism

 

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters