sat 21/12/2024

CD: Polar Bear – Same As You | reviews, news & interviews

CD: Polar Bear – Same As You

CD: Polar Bear – Same As You

Post-jazzers add ambient dub to a spacey, love-infused mix

Seb Rochford's big cloud of love

Polar Bear have been re-shaping the musical landscape (the experimental jazz end of it, at least), since 2004, and after a few years’ hibernation after 2010, the creature is back in rude health, this year’s album hot on the heels of last year’s Mercury-nominated In Each And Every One. Identifying the group’s generic mix feels increasingly daunting, as new elements are constantly layered onto the existing work.

Leafcutter John’s electronica have always been an important part of the mix; here, their role is a more subdued, but crucial ambient underpinning, as rattly dub beats do more of the rhythmic work.

There’s singing. That’s the first thing that regular fans will notice. The short opening track (and the collection’s outlier), “Life, Love and Light”, has a kind of mantra about the power of love, written and sung at drummer/leader Seb Rochford’s invitation by Asar Mikael, from Jamaican cultural institution The Light Shop. There’s more singing, unexpectedly from Rochford himself (with a choir of friends), on “Don’t Let the Feeling Go”, perhaps the most overtly trippy track. The instantly recognisable, spiky twin horns of Pete Wareham and Mark Lockheart (which still, despite everything else going on, anchor the music in jazz) turn up straight away on the second track, “We Feel the Echoes”. In keeping with the album’s loving theme, they’re less belligerent here than on previous albums, but they gyrate, questioning, fascinating, throughout.

The album was mixed by Rochford and LA-based producer Ken Barrientos in the Mojave Desert, and a potent sense of space, both physical and psychological, permeates the album. Listen on a hifi and you’ll notice sounds drifting slowly from side to side, like mysterious lights in a black, empty desert sky. I wasn’t convinced by Mikael’s lyrics at first, finding the sentiments – though admirable – slightly generic, and their placement on the first track a little political, even didactic. Listen to the album end-to-end, though, and it all begins to make sense. Think of it as a kind of cosmic love-in, and enjoy.

  • Polar Bear begins a UK Tour at Village Underground on 8 April

Add comment

The future of Arts Journalism

 

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters