CD: Drenge – Undertow

Noisy indie rockers acquire a more refined sound on their mature second album

share this article

Undertow: melodic hard rock sounds

Anyone expecting much the same on Drenge’s new album as from their 2013 self-titled debut may have been somewhat misled by lead track “Favourite Son”. Lively and abrasive, with pounding drums, angry guitars and yelled vocals, it certainly wouldn’t sound out of place alongside “I Wanna Break You In Half” and “Gun Crazy”. With the exception of the Ramones-esque “We Can Do What We Want”, however, this is where the adrenaline-fuelled influence of Drenge’s first album largely ends. The rest of Undertow is predominantly characterised by melodic hard rock sounds that suggest a bit too much self-consciousness.

By and large, the new tunes do still hold some menace and move things along, with “Running Wild”, “Never Awake” and “The Snake” being particularly impressive. However, there really is no need for “Have You Forgotten My Name?”, which is seemingly a homage to the Cure. Mournful vocals, swirling guitars, reverb-aided bass and an indie disco beat dominate and will really have some pining for the snotty venom of “I Don’t Want To Make Love To You”.

Second album syndrome is, of course, a well-known phenomenon in the world of rock ’n’ roll, and to some extent it does seem to have taken its toll on Undertow. While it is interesting that Drenge have introduced new ideas into their repertoire, it’s clear the band have lost some of their bite. Still, less rage also means more emotional depth and this is particularly evident on “Standing In The Cold”, a lament to the messy end of a relationship. It also has to be noted that not many people can convincingly churn out anthems of youthful frustration indefinitely – but anyone might have imagined that Drenge could have managed more than one album that mined that territory before maturing on to a more refined sound.

Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
Less rage also means more emotional depth and this is particularly evident on “Standing In The Cold”, a lament to the messy end of a relationship

rating

3

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 31st August this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time
Decades of psychedelia and wonder packed into a puzzling construction