fri 22/11/2024

CD: The Orb - No Sounds Are Out of Bounds | reviews, news & interviews

CD: The Orb - No Sounds Are Out of Bounds

CD: The Orb - No Sounds Are Out of Bounds

The Ambient Dub Masters regroup with some old mates for some time travel

The Orb: reacquainting themselves with the early 90s

For their 15th studio album, The Orb have decided to sidestep the more techno-influenced sounds of their two previous albums Moonbuilding 2703AD and COW / Chill Out World! and reacquaint themselves with the vibe of their genre-creating debut album, The Orb’s Adventures Beyond the Ultraworld.

By bringing back into the fold the likes of Youth, Roger Eno and the mighty Jah Wobble, Alex Patterson and Thomas Fehlmann have crafted a blissed-out groove that doesn’t stall once. Dubby bass, sparse piano, half-heard spoken word samples and found sounds are all wrapped up for some chilled-out and smiley grooves that are just the ticket for that end-of-the-evening vibe when relaxation is what the doctor ordered.

From the pop-house of “The End of the End” through to the 15-minute “Soul Planet”, which feels like an update of “A Huge Ever-Growing Pulsating Brain That Rules from the Centre of the Ultraworld” with its chilled and atmospheric vibe and disembodied vocals fading in and out of the mix, No Sounds Are Out of Bounds is a journey back to the time when The Orb were the kings of the chill-out room. Powered by Wobble’s bass and Roger Eno’s sparse piano “Pillow Fight @ Shag Mountain” and “Easy on the Onions” are laidback and trippy but never drift into the doldrums. “Wolfbane” has a funky groove, jazzy keys and Youth’s double bass pushing it along. While “Ununited States” features a mournful and mellow trumpet floating above the dystopian atmospherics.

For those who have yet to acquaint themselves with The Orb’s magnificent debut album, No Sounds Are Out of Bounds is surely an open invitation to dive in. For those who remember the heady days of the early 90s, it will be more than a nostalgic reminder that when Dr Alex is on top of his game, he’s a sonic magician.

Alex Patterson and Thomas Fehlmann have crafted a blissed-out groove that doesn’t stall once

rating

Editor Rating: 
4
Average: 4 (1 vote)

Explore topics

Share this article

Add comment

The future of Arts Journalism

 

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters