sun 24/11/2024

Album: Bab L'Bluz - Nayda | reviews, news & interviews

Album: Bab L'Bluz - Nayda

Album: Bab L'Bluz - Nayda

Healing music for troubled times

Yousra Mansour, lead vocalist of Bab L'Bluz

Bab L’Bluz are a Franco-Moroccan band, They’re the latest in a succession of musicians - going back to the pioneers Nass El Ghiwane, and the recently departed Rachid Taha - to have created a vibrant fusion of traditional sounds from the Maghreb with the energy of

on theartsdesk">rock. They draw their inspiration from the trance music of the Gnawa brotherhoods, communities of musicians and healers whose music connects with West African origins, and inevitably reflects common roots with the American blues.

Yousra Mansour, the band’s versatile and charismatic vocalist, breaks with a tradition in which men alone provide music for the Gnawa ceremony. She names Fairouz and Oumou Sangaré as influences, and Janis Joplin too. There’s no doubt that she shares something of those great women’s voices and attitude. She also plays the instruments sacred to the cult, the guembri and higher-pitched awisha, both cousins of the n'goni, and ancestors of the banjo. So much of the Maghreb’s music is about healing: the heart and spirit of individuals but also the soul of the community. In the hands of Mansour and her fellow musicians, the Frenchmen Brice Bottin (guitar, guembri and percussions) and Jérôme Bartolome (percussion, flute), and percussionist Hafid Zouaoui, the Gnawa tradition is made contemporary through lyrics that criticize the corruption of government as well as praise the magical power of the moon, celebrate the creative power of Africa, and remind us of the transformative force of mystical love.

Gnawa music is instantly recognisable, from the pulsating, trance-inducing sounds of the guembri and the ear-and-heart-shattering clatter of large castanets known as krakebs, to the wailing choruses that help invoke the spirit world. Here it's married seamlessly, without ever sounding like a forced fusion, to a powerful rock aesthetic. The production, rich in reverb and distortion - though never in excess - makes the most of this intoxicating blend. This is a band, once we can get out to gigs again, that’ll set your heart on fire and blow your troubles away.

Add comment

The future of Arts Journalism

 

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters