Reviews
David Nice
It was Chopin time when I last heard Louis Lortie, and a typical London clash of scheduling allowed me to catch his effervescent Op 10 Études before pedalling like crazy north of the river for the second half of Elisabeth Leonskaja’s even bigger all-Chopin programme. Last night Lortie offered a comparably monumental homage to this year's bicentenary birthday boy Liszt in all his Italian-inspired variety, and there was no need to miss, or to wish to miss, a note. It still didn’t convert me to the idea that Liszt, like Chopin in 2010, has more to him than first meets the ear, but it was Read more ...
Veronica Lee
It was several minutes into The National Anthem, Charlie Brooker's latest dramatic output on Channel 4 after his excellent 2008 mini-series Dead Set, a zombie-laden satire about reality television, before I laughed. I say that not as a criticism – far from from it – but as a huge compliment. For Brooker neatly confounded our expectations by making the opening scenes (shown as part of the Black Mirror season) appear as if they were part of a serious political thriller. It was only when the storyline took a ridiculous and hilariously obscene turn that one realised this was meant to be Read more ...
david.cheal
About a year ago, when I saw Gorillaz’ sensational show at the O2 Arena in London, one of the highlights of the evening was “To Binge”, the duet between Damon Albarn and Yukimi Nagano, the Swedish-Japanese singer with the Swedish band Little Dragon. It was a fabulous moment - a song drenched in emotion, Albarn on his knees, Nagano’s voice swooping and soaring.Strange to say, then, that the one element that was missing from Little Dragon’s sold-out show at the Shepherds Bush Empire last night was emotion. Granted, their music is essentially about upbeat electro-powered rhythms, so I wasn’t Read more ...
emma.simmonds
Idiotically buried by a release which sees it appearing on just one screen nationally, Kenneth Lonergan’s triumphant follow-up to his Oscar-nominated debut You Can Count on Me (2000) is, without a scintilla of a doubt, one of the finest films of 2011. Rich, resonant and with a meticulous approach to characterisation, it captivates, convinces and challenges.Margaret opens on the streets of New York in intermittent slo-mo, giving the impression of a city collectively under strain (not least as such images are sombrely set to Francisco Tárrega’s "Recuerdos de la Alhambra"). Our protagonist is Read more ...
judith.flanders
The Nutcracker, if this isn’t too much of a mixed culinary metaphor, divides audiences like Marmite: love it or hate it. Usually it’s the critics who hate it, and for them it is often only the annual round of Nuts to be Cracked that wears on the soul. It is hard to imagine, otherwise, that anyone with functioning ears can fail to be thrilled as what is arguably Tchaikovsky’s greatest orchestral work begins to swell from the pit.The Royal Ballet has, for the last quarter-century, been blessed with a model production. Where it has survived, Lev Ivanov’s choreography is carefully staged by Peter Read more ...
mark.kidel
In the age of Skype and no-frills budget travel, frontiers barely exist – at least if you’re not an immigrant or refugee. World music is as much about boundary-breaking and fusion these days as it is about discovering the unsullied treasures of what UNESCO calls the "intangible heritage". Contemporary global sounds can feel like an opportunistic marriage between musicians who have little in common, or else a more appropriate union with some basis in cultural kinship or history.You’d expect the Shankar lineage to show respect for the essences of different traditions and Anoushka Shankar, whose Read more ...
Veronica Lee
Every year at the Edinburgh Fringe there's a sleeper hit, or a show that promises little on paper but delivers big time in the flesh, and this year's unexpected success was Set List, a kind of improv for stand-ups, which has also been called “comedy without a net” or “like flying without wings”. Only the bravest comics attempted it, and now the show's producers are putting it on in London for a few performances so more people can see whether those descriptions are accurate, or simply prove that comics like a bit of hyperbole. It is, like many a good thing in the entertainment industry, an Read more ...
matilda.battersby
Kate Rusby’s Christmas show was a brilliant way to get that festive feeling. Standing on a stage lit by three huge glittering stars and a collection of colourful glowing baubles, she and her band (“the boys”) worked their way through a surprising and heartwarming selection of traditional carols, set to unusual tunes and with creative flare.The Barnsley Nightingale’s version of “While Shepherd’s Watch their Flock by Night” was set to the tune of “On Ilkley Moor Bar T'at”. It was extraordinary. She sang “And this shall be the sign” instead of the bar t’at bit. At every introduction of a new Read more ...
graham.rickson
Bartók: Violin Concerto No 2, Tchaikovsky: Violin Concerto Valeriy Sokolov Tonhalle-Orchester Zürich/David Zinman (Virgin)Bartók’s 1938 Violin Concerto No 2 seems to have garnered more respect than affection; it’s been overtaken in the 20th-century concerto popularity stakes by works by Shostakovich, Walton and Prokofiev. Which is such a shame, as it’s a glorious piece – one of those mature works where Bartók’s unique blend of folk music and Modernism find a perfect balance.Structurally it’s satisfying, its large-scale opening movement effectively reprised in dance form in the finale, Read more ...
william.ward
In his home country, the release of the latest film by Nanni Moretti is always an event, all the more so in the case of We Have a Pope – a bittersweet psychological comedy with tinges of tragedy about a cardinal who is elected to the throne of St Peter, has a panic attack, and does a runner leaving the Catholic Church in crisis and the world media with a bonzer news story. It arrives a full five years after his last outing, Il caimano.A profound neurotic whose long-term relationship with psychoanalysis seems to have resolved little, but which has provided him with endless material for his Read more ...
judith.flanders
It is unusual in art for collaborators to be of equal star-wattage. The pairing of Benjamin Britten and WH Auden was one such. Another, much longer-lasting, was Stravinsky and Balanchine, a partnership of equals that endured for nearly half a century. More recently, Antony Gormley has worked with both Akram Khan and Sidi Larbi Cherkaoui, to great effect. Can Turnage, McGregor and Wallinger replicate these? This has been the question.The answer is, unequivocally, yes. Wallinger took the lead, presenting a rich brew of possible starting points, which included the idea of the “window” created by Read more ...
David Nice
Ken Russell is, it seems, alive and well and directing Germans in Shakespeare. Actually, no, it's outgrown theatrical terrorist Thomas Ostermeier, but it might as well be our Ken to judge from the fitfully imaginative but repetitive images and the misappropriation of possibly fine actors. It seems old hat to us, but perhaps in two respects Londoners may strike Berliners as conservative. We still like our Hamlet in sequence - cut, usually, but with the expected beginning, middle and end. And we're still inclined to talk about Michael Sheen's Hamlet, or Rory Kinnear's, or Simon Russell Beale's Read more ...