mon 16/06/2025

America

The Staircase, NOW review - addictive dramatisation of real-life murder investigation

The real-life case of Michael Peterson and the death of his wife Kathleen in 2001 has generated a steady stream of TV documentaries, though this new series from HBO Max (showing on NOW) is the first time anybody has actually dramatised the story....

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Everything Everywhere All at Once review - brace yourself

Everything Everywhere All at Once is one of those films that are guaranteed to make an audience feel their age. Unless you’re steeped in the multiverse genre (The Matrix films, the Marvel canon, etc.) and are comfortable with...

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Oklahoma!, Young Vic review - a stunning, stripped-down version of the classic musical

No surreys, fringes or corny chap-slapping: the Rodgers and Hammerstein revival that has arrived at the Young Vic from New York, trailing a Tony award, is no ordinary makeover. Daniel Fish, its director, has spent the best part of 15 years stripping...

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Doctor Strange in The Multiverse Of Madness – not strange, not mad

The Marvel Cinematic Universe is at its most radical and corporate here; maybe decadent is the word. We start with surgeon turned sorcerer Doctor Strange (Benedict Cumberbatch) threatened then slaughtered in a cosmic chase sequence. It’s just a...

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Kožená, LSO, Rattle, Barbican review - Berlin to Broadway, and back

As Walter Huston croaked in 1938, it’s a long, long while from May to December. And Kurt Weill – who wrote his evergreen “September Song” for Huston in that year – spanned several musical epochs within not so many years as he travelled from the...

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First Person: playwright Naomi Wallace on finally hearing her work performed in English

The Breach is a coming of age story and an age-in-the-making story. The play takes place in the U.S. in the 1970s and 1990s, switching back and forth between teenagers in Louisville and their older selves 15 years later. The promise of the...

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Bonnie & Clyde, Arts Theatre review - great songs, but plot fires too many blanks

One of the more irritating memes (it’s a competitive field, I know) is the “Name a more iconic couple” appearing over a photo of Posh and Becks, or Harry and Megan, or Leo and whoever. I’ve always been tempted to close the discussion down with a...

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Wolf Cub, Hampstead Downstairs review - haunting solo play about the American nightmare

Ché Walker claims he wrote Wolf Cub, now in the Hampstead Downstairs studio space, in a two-day blitz prompted by Donald Trump’s election win in 2016. He was working in Atlanta at the time, the home city of Claire Latham, the solo performer for...

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Album: Camila Cabello - Familia

The global popularity of Latin music in the past few years is almost incomprehensibly huge. 2017’s “Despacito” by Puerto Rican Luis Fonsi was the point where it became clear that Latin America – like South Korea – was now operating entirely on its...

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Album: Jack White - Fear Of The Dawn

Jack White is still unsatisfied, and rock’n’roll still unfinished business for its most extremist exponent. His last pre-pandemic album, Boarding House Reach (2018), seemed a major blow to his career, its experiment in warped dynamics and Beat...

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The Fever Syndrome, Hampstead Theatre review - ambitious family drama falls short

The Fever Syndrome has an ambition that places itself firmly in the tradition of the great American family drama (comparisons with Arthur Miller feel the most appropriate), a piece in which the reassessment of ties of blood is played out against a...

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Thatcher & Reagan: A Very Special Relationship, BBC Two review - when the Iron Lady met the Cowboy President

This two-part documentary about how the Eighties were partly shaped by the British Prime Minister and the US President was obviously planned long before the Russians invaded Ukraine, but it’s a powerful illustration of how history doesn’t stop, but...

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