tue 26/08/2025

America

Better Call Saul, Season 6 Finale, Netflix review - end of the line for TV's most celebrated con artist

It was the end of an era, as Vince Gilligan and Peter Gould’s bittersweet epic of the brilliantly devious Saul Goodman wound to a close. Hints of redemption were in the air, signalled by Saul reverting at last to his real name, James McGill. A...

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Album: Cass McCombs - Heartmind

Cass McCombs has something of the detailed, opaque depth of his late peer Jason Molina, with more taste for pop shapes under a broader musical canvas, while still in the Americana underground. The Dead’s Bob Weir, Blake Mills, Tinariwen, Noam...

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Where the Crawdads Sing review - picturesque film glosses over its darker themes

Derived from Delia Owens’s massively successful novel, Where the Crawdads Sing is the story of Kya Clark, a girl from an abusive, broken home in the North Carolina marshlands who raises herself almost single-handedly. The few people she encounters...

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Anything Goes, Barbican review - shipboard frivolity still fizzes, mostly

This is the summer, in musical theatre terms at least, of the revival of the revival, with several recent remountings of iconic titles (South Pacific, now in London previews) getting a renewed lease on life, alongside the likes of My Fair Lady,...

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Blu-ray: The Men

“Arriving late at a performance… I looked up and saw what I thought was an actor having a seizure onstage,” the critic Pauline Kael wrote of watching Brando on Broadway in 1946. “I lowered my eyes, and it wasn’t until the young man who’d brought me...

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Milton Avery: American Colourist, Royal Academy review - from backward-looking impressionist to forward looking-colourist

I’ve always been bemused by the American painter, Milton Avery. Not having seen enough of his paintings together, I couldn’t gauge if they are quirkily naive – lodged in a cul de sac aside from the mainstream – or hyper-sophisticated harbingers of...

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Mad House, Ambassadors Theatre review - David Harbour is magnificent in Theresa Rebeck's family drama

For sheer extremes of family dysfunction Theresa Rebeck’s Mad House must be aiming to set new records in American drama. The latest in a line that stretches back to Eugene O’Neill, the plentiful other contenders that have appeared over the decades...

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Album: Damien Jurado - Reggae Film Star

American singer-songwriter Damien Jurado is both prolific and enigmatic. His latest album follows too many to count (OK, not really, I think this is his 20th). On his own label, it's as opaque as anything he’s done, and that’s saying something.There...

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George Fu, St Martin-in-the-Fields review - high intellect and visceral shocks

Semi-standing ovation at a lunchtime concert in a London church? Predictable, perhaps, from the first recital I heard George Xiaoyuan Fu give at the Two Moors Festival, an avian programme which made me long to hear him play Messiaen’s complete...

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Elvis review - Austin Butler shines in patchy biopic

Strictly Ballroom aside, I’ve never been entirely persuaded by Baz Luhrmann. Once you rip open the plush packaging of his films, you often just find satin and tissue paper inside. Elvis isn’t his worst movie (they can’t take that accolade away from...

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Jitney, Old Vic review - a directorial delight

It’s great to see August Wilson’s early play – the first of his “Century Cycle”, that remarkable decalogy that explored a century of Black American experience through the prism of the playwright’s native Pittsburgh – back on the London stage. It’s...

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Swan Song review - the fabulous Udo Kier as a small-town hairdresser on his last legs

The piercing-eyed German actor Udo Kier is best known for his supporting roles in many high-profile films, including those of Lars von Trier, Gus Van Sant and Fassbinder. In Swan Song, he carries off his first starring role magnificently as wry ex-...

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