America
Jurassic World Dominion review - extinction eventFriday, 10 June 2022
Franchise burnout continues apace, in this asteroid strike of a finale. Doctor Strange in the Multiverse of Madness showed the previously agile and humane Marvel machine weighed down by plot mechanics and fan service, and this Jurassic Park/World... Read more... |
We Own This City, Sky Atlantic review - 'The Wire' creator David Simon is back on the Baltimore beatThursday, 09 June 2022
It has been 14 years since The Wire, David Simon’s labyrinthine epic about crime and policing in Baltimore, reached the end of the line. Yet it seems he couldn’t let it lie, because he’s back on the Baltimore beat with We Own This City (made by HBO... Read more... |
Album: Shearwater - The Great AwakeningThursday, 09 June 2022
The title The Great Awakening is a metaphor for America’s switch from its previous presidential administration to the current: the arrival of a new era and, with it, a fresh phase of life. Emblematic of this is the xenarthran, a type of armadillo,... Read more... |
Album: Wilco - Cruel CountryTuesday, 31 May 2022
As the pandemic receded, Wilco huddled together in Jeff Tweedy’s Chicago studio and played country songs, an easefully naturally act as the world around them shook. Though famed for the experimental, eerily timely Yankee Hotel Foxtrot (2001) and the... Read more... |
Legally Blonde, Regent's Park Open Air Theatre review - a joyous Gen-Z musical makeoverWednesday, 25 May 2022
The 2001 Reese Witherspoon-starring film Legally Blonde, upon which Heather Hach, Laurence O’Keefe and Nell Benjamin’s peppy Broadway musical is based, was something of a Trojan horse: a bubblegum-pink comedy with a feminist spine.Now Lucy Moss, co-... Read more... |
Grease, Dominion Theatre review - a super night out, great songs well sung and spectacular dancingWednesday, 18 May 2022
Barry Gibb was at the considerable peak of his era-defining songwriting powers when he provided the song that played over the opening titles of the iconic 1978 film, so it's a wise decision by director, Nikolai Foster, to go straight into "Grease is... Read more... |
The Breach, Hampstead Theatre review - profoundly uncomfortable work that burns like iceMonday, 16 May 2022
Jude is the kind of girl that no-one would want to mess with – she can dance like a demon to Eric Clapton, skewer an ego in seconds and hit an apple from thirty feet with a knife. Yet in a play that’s so uncompromising it could give Neil LaBute a... Read more... |
Ozark, Series 4 Part 2, Netflix review - crumbling consciences and a last standMonday, 16 May 2022
As the final slew of episodes in the last series of Ozark begins, Marty and Wendy Byrde, ever more the Macbeths of Osage Beach, are “in blood stepp’d in so far” that we don’t much care about their fate. Sympathy has long shifted to trailer girl Ruth... Read more... |
Album: Mavis Staples and Levon Helm - Carry Me HomeMonday, 16 May 2022
There is so much gospel out there that it’s not easy to stand out above the crowd. Mavis Staples, with a distinctive voice that has delivered a gritty contralto for many decades, never stops. This new release, a set of songs that were recorded in... Read more... |
The Staircase, NOW review - addictive dramatisation of real-life murder investigationFriday, 13 May 2022
The real-life case of Michael Peterson and the death of his wife Kathleen in 2001 has generated a steady stream of TV documentaries, though this new series from HBO Max (showing on NOW) is the first time anybody has actually dramatised the story.... Read more... |
Everything Everywhere All at Once review - brace yourselfFriday, 13 May 2022
Everything Everywhere All at Once is one of those films that are guaranteed to make an audience feel their age. Unless you’re steeped in the multiverse genre (The Matrix films, the Marvel canon, etc.) and are comfortable with... Read more... |
Oklahoma!, Young Vic review - a stunning, stripped-down version of the classic musicalSaturday, 07 May 2022
No surreys, fringes or corny chap-slapping: the Rodgers and Hammerstein revival that has arrived at the Young Vic from New York, trailing a Tony award, is no ordinary makeover. Daniel Fish, its director, has spent the best part of 15 years stripping... Read more... |
