sun 29/06/2025

Opera

Dangerous Matter, RNCM, Manchester review - opera meets science in an 18th century tale

Opera can take many forms and fulfil many purposes: this chamber opera by Zakiya Leeming and Sam Redway is about vaccination. Based on history, it has a story to tell and lessons to teach.“A new opera on medicine, memory and innovation” was the...

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Fidelio, Garsington Opera review - a battle of sunshine and shadows

Sometimes, as the first act of Beethoven’s Fidelio closes, the chorus of prisoners discreetly fade away backstage as their brief taste of liberty ends. At Garsington Opera, in Jamie Manton’s revival of a production by John Cox, they slowly descended...

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Mazeppa, Grange Park Opera review - a gripping reassessment

Tchaikovsky has precisely two operas in the standard repertoire (including The Queen of Spades, currently playing at Garsington), and readers who love those works might well be forgiven for wondering what happened to the other eight or nine. On the...

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Saul, Glyndebourne review - playful, visually ravishing descent into darkness

This thrilling production of Saul takes Handel’s dramatisation of the Bible’s first Book of Samuel and paints it in pictures ranging from grotesque exuberance to monochromatic expressionism. From the earliest flamboyant images, dominated by the...

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Così fan tutte, Nevill Holt Festival/Opera North review - re-writing the script

Marianne Moore once famously defined poems as “imaginary gardens with real toads in them”. Operas also fill, or anyway should fill, their artificial horticulture with genuine beasts – and flowers. And no work demands the population of a fanciful...

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La Straniera, Chelsea Opera Group, Barlow, Cadogan Hall review - diva power saves minor Bellini

Chelsea Opera Group has made its own luck in winning the devotion of two great bel canto exponents: Nelly Miricioiu between 1998 and 2010, Helena Dix over the past 10 years. Last night was Dix’s official farewell before moving back to her native...

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The Queen of Spades, Garsington Opera review - sonorous gliding over a heart of darkness

Recent events have prompted the assertion – understandable in Ukraine – that the idea of the Russian soul is a nationalist myth. This production reminded me that it isn’t, if only by telling us of what we’ve lost: the majority of those great Russian...

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The Flying Dutchman, Opera Holland Park review - into the storm of dreams

Thankfully, Julia Burbach’s version of The Flying Dutchman for Opera Holland Park doesn’t try to be one of those concept-laden productions that banishes all sight of the sea.Because last night the ocean – or rather its typical weather – came to us....

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Il Trittico, Opéra de Paris review - reordered Puccini works for a phenomenal singing actor

So here in Paris, as at Salzburg in 2022, it’s no longer “Puccini’s Trittico” but “the Asmik Grigorian Trittico 3-1-2”. Which would be a very bad idea if she were a lazy diva like Anna Netrebko. But Grigorian works selflessly within wonderfully...

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Faust, Royal Opera review - pure theatre in this solid revival

“Satan come to me!” The Devil doesn’t so much appear in David McVicar’s Faust as reveal himself to have always been there. We discover him – travelling trunk and brandy glass to hand, lazy smile on his lips – considering the interior of designer...

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Pygmalion, Early Opera Company, Curnyn, Middle Temple Hall review - Rameau magic outside the opera house

With French baroque opera all but banished from the UK’s major opera companies, it’s left to concert halls and country houses to fill the void. There’s a full-length treat ahead this summer with Rameau’s opéra-ballet Les Indes Galantes at Hampshire’...

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Parsifal, Glyndebourne review - the music flies up, the drama remains below

There’s a grail, but it doesn't glow in a mundane if perverted Christian ritual. Three of the main characters have young and old actor versions and the “wonder-working spear” is a knife in a Cain and Abel story superimposed on Wagner’s myth (as if...

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