mon 12/05/2025

Reviews

Smetana Trio, Wigmore Hall / Minerva Piano Trio, Christ Church Kensington review - spirits of delight

Comparisons might have been odious between three of the world's most cultured players – pianist Jitka Cechová, violinist Jan Talich and cellist Jan Páleníček of the Smetana Trio – and the young, British-based Minerva Piano Trio (Annie Yim...

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The Jesus and Mary Chain, Barrowland, Glasgow review - Scottish siblings still the loudest gang in town

There is unquestionably a more mellow side to the Jesus and Mary Chain these days, even when reviving their most ferocious glories from the past. Prior to launching this two-halved set, comprising their 1987 classic Darklands to begin with and a...

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Siegfried, RINGafa, St Mary’s Putney review - heroes everywhere

A Samoan-themed Ring cycle? Well, why not? A calculated distance has always separated its audience from the Norse and German epics of its origin.Wagner composed it once capital and technology had begun their ineluctable overthrow of gods and kings,...

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little scratch, Hampstead Downstairs review - a maverick director surpasses herself

Katie Mitchell’s desire to bust the boundaries of theatre has taken a brilliant turn. Over her long and distinguished career as a director she has been tirelessly inventive, injecting stylised movement into Greek tragedy, projecting film onto giant...

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Showtrial, BBC One review - drama a cut above the rest

This latest offering from the ubiquitous World Productions (creators of Line of Duty, the farcical but strangely popular Vigil, Bodyguard etc etc) is a whodunnit, a howdunnit and a whydunnit, as it explores the mysterious disappearance and death of...

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Devin Jacobsen: Breath Like the Wind at Dawn review – the disturbances of the Civil War

How do you imagine the wind at dawn? Biting, brisk, peremptory – a kind of summons as another day begins? For Les Tamplin, wife-beater, sheriff, father to three sons, it is a detective, deathly wind, "the wind that cannot be stopped" which...

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Jazz Voice, EFG London Jazz Festival review - from intimate delicacy to stunning virtuosity

A celebration of that most extraordinary instrument, the human voice, this year’s edition of Jazz Voice – which gladly welcomed back a live audience and a full-strength EFG London Jazz Festival Orchestra – ranged from music of intimate delicacy to...

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Music Reissues Weekly: Essiebons Special 1973-1984 Ghana Music Power House

One of the most interesting tracks on Essiebons Special 1973–1984 Ghana Music Power House is Joe Meah’s mysterious "Dee Mmaa Pe". It’s not mentioned in the compilation’s accompanying booklet, and Joe Meah doesn’t figure in any of the standard...

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Footfalls & Rockaby, Jermyn Street Theatre review - Beckett up close and personal

Like all great art, Samuel Beckett's works find a way to speak to you as an individual, stretching from page to stage and on, on, on into our psyches. This happens not through sentimental manipulation or cheap sensationalism, but through the accrual...

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Dalgliesh, Channel 5 review - doleful detective fails to fire on all cylinders

Treading in the footsteps of Roy Marsden and Martin Shaw, Bertie Carvel is a making a decent (albeit soporific) stab at embodying P D James’s introspective detective Adam Dalgliesh, though you have to wonder if he’s getting the help he needs from...

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The Seven Pomegranate Seeds, Rose Theatre, Kingston review - misogynist Euripides stands corrected

The resurrection of female voices from ancient Greek myth is so common now that one might imagine a grand panjandrum behind the scenes had set down a long-range mission – rather as they do in the fashion industry – which makers and producers...

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Sessions, Soho Theatre review – intense, but inconclusive

After lockdown, the stage monologue saved British theatre. At venue after venue, cash-strapped companies put single actors into simple playing spaces to deliver good stories for audiences that just wanted to visit playhouses again. But this theatre...

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